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Mine is modde with a switch to get rid of the mid scoop it is on the net if you want to give it a tryI love the BDDI! I use it 1st in my pedal chain (as a preamp and tone shaping tool). It has a great sound, with thumpy lows and crispy highs. I love the presence control, which basically give more (or less) attack, especially with a pick.
I understand why some people hate on the pedal because of the mid scoop, so you may want to pass on it if your sound is ALWAYS mid-range and/or Jaco-esk. I get that sound naturally with the pedal off, and/or I use the bridge pickup. I use this pedal to change my sound from the natural mid-range nasal sound. The mid scoop gives me a whole new palette. They have deviated from the magical BDDI formula with the Para and VT to satisfy the people who don't love it.
IMHO the mid scoop is in the perfect frequency, the tone controls are usable and musical, and the presence control is unique and irreplaceable. Tech 21 nailed it. There is a reason certain pedals become a standard and have staying power.
What Bufalo says...The Sansamp / Tech21 VT Bass DI has become a permanent piece of my rig. In fact, in many smaller gigs, it IS my rig. I own my band's PA system, and have ensured that it's capable of delivering both monitor and FOH bass to support what we do without my having to carry an amp. On larger stages, I revert to a stage amp and cabinet, but I still use the VTDI as the front end for everything. Heartily recommended if you enjoy a classic Ampeg sound in a tiny, versatile box.
Even on the SansAmp models that don't have a mid knob, you can balance the mid content by adjusting lows, highs, and output. But that's a bit tweaky until you get used to it, and not ideal for dialing adjustments on stage. That said, some SansAmp models do offer a knob for mids.NO MID CONTROL KNOB ... BAD IDEA
Compare the input and output signals. As pudgychef noted in post #39, there's compression on the output.What's with all these type pedals providing distortion but not compression? IMO - distortion is a niche effect on bass. Sure, use it for that one song. But I'd expect this type of "Sans Amp" pedal, to live up to the name, to provide EQ, compression, and DI.
Yes. Some kind of low-pass filtering is especially important when sending OD or distorted signal to FOH or FRFR monitors. Otherwise, the high frequencies are schranchy gack. Although Tech 21's HPF & LPF cab emulation doesn't respond the same as a reactive cabinet load. But when you can'tcount on the FOH or monitor techs to run cab emulation or a LPF, it's a whole lot better than simply sending full-range grit pedal through the PA.Another BDDI owner here for many years. One thing that hasn't been mentioned is the speaker emulation feature of these units.
My BBDI is in my gig bag as a back in case the Sans fails I too love the Behringer and have used it on many a live gigI like a lot of the sansamp stuff and still have a BDDI which works great IMHO.
For your $ situation, I would consider the Behringer for now, then put the extra 160$ in a gear fund to either get a bigger rig OR upgrade your DI once you see how it works for you and what you want...
Even on the SansAmp models that don't have a mid knob, you can balance the mid content by adjusting lows, highs, and output. But that's a bit tweaky until you get used to it, and not ideal for dialing adjustments on stage. That said, some SansAmp models do offer a knob for mids.