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Praising the Darkglass Tone Capsule!

I had one for a while. I loved the feature set. But mine had an odd compression thin going on. It kept squashing the dynamics of my pickups. Wonder why?
Coming back here to say that I now think my compression problem was not the Tone Capsule. I tried four different sets of pickups and three different preamps in it, and it still sounds compressed. Even when I play it unplugged it sounds compressed. I may try different strings. Or I may just play one of my other twenty basses.....

Thinking about buying a Mono M80 Betty Strap

I have the mono betty straps on most of my basses. I did have issues with the attachment point wearing out on the first one I owned as others have posted, so I have a couple with strap locks which swap between instruments with the strap locks, and a couple on basses which just have the straps permanently on the basses and rubber washers to keep the ends from folding over.

I've used the mono on everything up to about 11lbs, my heaviest basses I had one of those 4" gruv gear neoprene straps as even the betty wasn't enough to save my shoulder from the weight.

I'm also wondering when the price for the mono got to be $99, I thought they were closer to the $60 range before? Best bass gear has an old listing page (shows them out of stock) Invalid Link Removed so maybe I'm not crazy on that.
Same experience for me. I have three of them. I try to keep the lower strap connection on all the time to prevent wear and tear. One of them has been wallowed out enough that the rubber washers are required to keep it on. The other two seem to be holding up pretty well.

I like them enough that I'll get a replacement if they wear completely out.
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Am I missing sumthing? Synth bass sections? Classifieds?

If I ever come across those other threads, I’ll try to find this one, and send them your way. To reiterate my experience…I was around for the late 70’s/early 80’s, ‘new wave’ related synth pop explosion, way before any notion of EDM(although Giorgio Moroder’s work was just one strand of influence). Usual suspects Kraftwerk, Kraut Rock in general, and then newer bands like Ultravox inspired me, let alone funk like Parliament, “Flashlight” was a big deal, plus some the industrial-ish stuff like Cabaret Voltaire, and of course Human League(even the early albums before the girls)plus Heaven 17. Depeche and Yaz came along later. The Gap Band did some cool lines(“You Dropped A Bomb On Me”). Was also aware of early versions of synth bass from the 60’s/early 70’s…Silver Apples, Dick Hyman(yes, a real name), TONTO(those guys worked with Stevie Wonder), some of Eno’s work, Tangerine Dream, and so on. Anyway….

The Roland bass guitar synth systems were way too expensive(plus the tech was in its infancy), and although I was already using pedals, they really weren’t outfitted for bass use, plus nothing came close to a synth sound. I took the plunge(even with having hardly any keys experience)and got the affordable Sequential Circuits Pro-One, their monophonic answer to a Mini-Moog. Eventially, after going in a different musical direction, I sold it(wish I hadn’t, they now fetch stupid money), bass guitar pedals got better, and now I’ve gone that route, getting back into those sounds. I guess there’s a newer version available of the P-1.

Nice! That's a great backstory. I'd really like an old Sequential or an older Moog, but this one was a deal I couldn't pass up and it does what I need it to do! Almost went with a Bass Station II, but this one struck me for some reason. It's definitely addictive, and I've already been looking at getting a 2nd one.. Probably something polyphonic next time. The Messenger is GREAT for simple, aggressively-phat bass lines, though!

Question about the Warwick Streamer Stage 2 preamp

If you have the budget you should just have a new pre installed. It only takes 1 poor connection to cause issues. It’s guaranteed going to happen again. If you are intent on saving the old one have a good tech or electronics guy go over every last bit of it to make sure connections and motherboard are all good. Pretty much your best options.
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Double Bass Pizz at end of fingerboard?

I play a few inches from the end as it’s just more comfortable there; no matter the string choice. My thought is if you’re playing strictly acoustically, maybe there is a difference in sound production, but plugged in to an amp and it doesn’t seem to have much of difference one way or the other. I would venture to say also, if you’re a tall person, the end of the fb is more comfortable. Average to small person will find it easier a few inches higher. Pick your poison…

Different instrument cables for different sounds?

Fender coiled is icepicky? That explains it:

View attachment 7540195
I’ve seen a lot of what Khn has done over the years (or at least the stuff he couldn’t get pulled when they broke), and he has always used a white Fender coiled cord on his guitar. With all those pedals and the looper, it’s irrelevant and more of a looks thing, but he’s no stranger to plugging straight into an amp, I’m sure. His tone doesn’t hurt my ears but it’s pretty bright.
Fender Deluxe Coil Cable 9 m.
It was so brittle.
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Using water based products for instrument finishing, Target Coatings 9000 6000 and Varathane WB

The EMTECH EM 6600 is good stuff and has potential - better HVLP rig than brush or wipe. Since shuttering my last commercial space, I am working on the small and quiet these days and avoiding compressors. Still working with Lacquer rattle to get through a couple of jobs that I have to hide some patchworks. More on the EM 6600 later. I'll probably seek out a low noise compressor or mini rig. But my actual goal is to perfect the in mold finish and recent lay-up/pulls are encouraging. Preferences is light sand polish. Anyway, see how the next ones go!

Penco EB-2 Copy Bridge Help

This looks to be Delrin. Gibson used it on its saddles in the 60s tune-o-matic bridge
I use delrin rods from here.
There is likely be some on eBay if that's more convenient.

The latest take on pedals vs. modelers, according to a Reverb guy…

Stompboxes have become such a broad range of products that are perfect for those of us aging players with a bit of pocket money still chasing tones or even those collecting tchotskies to fill their collection. Whether you are chasing classic rarities or looking for ever more exotic sounds that those little boxes sounds to excite our ears & creativity there is something to scratch your itch. From distilling and squeezing classic amps into stomp friendly boxes to getting that perfect chorus, the ever elusive perfect distortion, delay or reverb to getting that once unobtainable studio polish it seems all things are ever more possible with those once humble boxes. Add to that the expanding complexity and rising cost of so many multieffects that seem to be either a eureka find or a mind bending all too often mind numbing conundrum ~ it's no wonder we so often turn to a one trick pony that does the ever amazing 'trick" espeically when they do such unusual often unthinkable tricks.
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Double Bass Bridge height/break angle

From the standpoint of someone who rebuilds old Kays almost every day of the year: no matter what you do to it, your old Kay is never going to sound like a 200 year old fully carved Italian bass. Changing to different strings will likely make more of a sound difference than major structural modifications.

That said, if (when) major repairs need to be done, I'm generally in line with Greg in that I'll change the bridge height / overstand from the factory issue 135mm to approx. 150-160, depending upon the bass and the player IF everything else is structurally solid and a good candidate.

Turn off your phone.

Play more.

Think less.

:thumbsup:

How to repair a paint chip on a poly gloss finish?

Finished the chip repair. The color of the nail polish came out a little different on the bass vs my scrap maple. Pretty perfect match in low light, noticeable but subtle in bright light. Smooth to the touch. Considering this repair one of my most successful drop fills. 🤘
That looks fantastic!!! Let’s go QUEENS!

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