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Clubs and PA's in your town

This thread was inspired by a thread in the Band Managment area: One poster mentioned that in his town, most clubs and venues have their own PA and sound Men, while another poster described the opposite for his area: most bands bring their own PA (and lights) and run sound themselves.

So : What's your neck of the woods and how are the venues you play equipped? (lets exclude weddings/parties/corporate gigs , those always require self-sound)

ME:Seattle/ Puget Sound area (USA,) a fairly metropolitan/suburban region. The vast majority of venues in my area have their own PA and sound guys, I've never played a venue that required us to do our own sound.
 
San Diego and LA clubs have their own pa's, some good, some, well, just sad. The bigger problem is quality sound guys. It can be luck of the draw as some really see it as art and make the band shine, others spend the night texting someone or smoking outside and leave the settings stagnant from band to band.

When I'm too old to jump around, I'm going to go do sound and enjoy the hell out of it as will the bands!
 
Newcastle. All venues have great PAs and soundmen, and clubs and pubs that have bands on will have a decent vocal PA at the very least.

One nightclub here, Digital, has a fully built into the foundations, custom funktion one PA setup, apparently the loudest in england or some other such claim, and the bands go through that when they play EVERYONE should have the chance to play a flatwound P through that system, man. It's life altering.
 
One venue has a decent Mackie system. Stereo subs, plenty of power, monitors, etc. The rest of the gigs we use our own, but we don't need/use a very big system. Usually a powered head, a couple 2-way 15's on sticks and a couple monitors. We do our own mixing so we almost always sound the way WE want to.
 
Most clubs we play have barely enough wall plug receptacles. Pay to Play clubs have pa and sound person. This is Palm Springs to LA area. We run our own sound. Basically set levels during soundcheck and hopefully the stage volume doesn't get louder.
 
Central Illinois and one club I've played has a house system. It's good except for the subs. EAW mid/highs flown, four EV 2X18" subs (under the hollow floor so the bass sucks reall bad), up to six EV 1x15 floor wedges, Furman power distribution and real filtering, a bunch of Crown amps, and at least two of the sound guys are really good (one is our band's sound guy).

Everything else is bring your own PA.

jte
 
I'm an hour east of Portland OR. We have one 300 seat venue with a real PA and lights (they've dropped around $40K on this), plus a variety of house guys to run the system. Bands pay 100 bucks off the top for sound and lights.

Some other venues book independent sound providers for bigger shows; most of the outdoor festivals do this for instance. The promoter pays in that case. But the vast majority of gigs here are bring-your-own...probably 90% at least.
 
Central Illinois and one club I've played has a house system. . . .Everything else is bring your own PA.

My experience in central Illinois was that PA was typically provided at the clubs and bars that regularly featured regional and national acts (for example, places like the Blind Pig/High Dive, Mabels, Ted's Warehouse, Shoeless Joe's, etc.). OTOH, in bars & restaurants that booked exclusively local or in-state acts, artists typically supplied their own PA.
 
in Memphis 75% of the venues we play have their own PA and soundman......some of them that don't really should because it takes a large PA for the rooms we are playing. Outside of Memphis it's normally 50/50....some have PA, some don't, even fewer have a soundman. I absolutely HATE having to run a PA that is already setup in a venue......there is always some catch or someone who has done a half a$$ job at setting it up......i.e. "channel 2, 5,8 and 12 don't work, wait, or is it 3,4 and 9??"....."when you adjust the levels on the mains it also adjusts the master volume on the monitors.".....ugh!!!!
 
$100?? Is that for just sound and lights? Do you have to pay extra for the venue?

100 bucks for the sound man (including the house system), and I think $60 for the door guy. After that, the pay's typically 100% of the door, with a varying guarantee against that for touring bands, and usually no guarantee for local bands. Sometimes the venue sucks up the sound and door fees too, since they want touring bands playing on weeknights to keep coming back.
 
One club we play has a PA - not sure why we go back there though, as the drinks are so expensive we people don't like going there even when we give them free tickets. It doesn't pay well either. (edit: just remembered - the sound SUCKS. Last time we were there the owner promised he was going to sack the sound guy for what he did to us...)

A few smaller "music bars" have PA's, but round here "venue which promotes live music" means we won't pay the band, will put a minimum of three bands on a night, and if the bands choose to charge on the door the can provide someone to do it, and split the takings after giving the sound guy $100 (bearing in mind a good door take in these places would be $300 between 3 or 4 bands!). We don't play those places!

All of the bars that will actually PAY a band expect you to turn up and do the job, which means your own PA... So we run our own PA at 95% of gigs.

Ian