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Big muff and a ...........??

I think the biggest key to the Osaka Jam sound, aside from the fuzz, is an octave-down and clean blend. The more I listen to his general tone these days, the more I think that a lot of his sound is a product of his technique, and that sharp attack he attains with his fingers.

So, with that, see if you can find a Boss LS-2 and OC-2, both used. Anything else would be superfluous to me.