Not all that long ago, I thought pedals to be kind of
"superfluous" and for space-cases-Look at me now!
I have (2) BOSS BCB-3 pedal cases that contain-
1)The Bass Synth-Mostly for foolin' 'round, but I also fnd that by using the "wah" effect" with the sensitivity/decay turned all the way down, I eliminate the "wah" and get a hot signal that gives me a nice treble boost & punch. The other sound waves range from "of interest" to "whaaaaaa?"
2) The BF-2 Flanger can be either extreme, or used to add a nice whirling resonance that when judiciously applied, can work on a ....jazz bassline!
That's right, jazz, & I do not mean fusion-believe me!
I also use it on some ballad work, R&B based, and trust me, the crowd does dig it.
3) LMB-3-Limiter/Enhancer takes care of compression and adds a very nice clarity to the overall tone.
4)The Chorus is somewhat redundant to the Flanger, a little less intense, and when dialed in, also adds a roundness & effect to the mix.
5) The OBD-3 overdrive has not been used by me in performance as of yet. For one, I have full tube heads I can utilize for od, plus not really my thing. Bought it 'cause I had $$ burning a hole...
However, in the few times I've fiddled with it at home, it does have potential and could in varying degrees be embellishing.
6) Finally, the GEB-7 eq is excellent for adjusting your tone in the mix-Cutting/raising the spectrum and overall boost/cut is a very nice tool. It's a pretty powerful little pedal.
In addtion, I use a Yamaha NE-1 parametric eq-
I put it at the tail end of the 'chain to darken the midrange if desired, or by itself, with my Boogie all-tube combo, independent of effects- organic tube sound, no pedals, just a little bite removed from the midrange.
Along with my (new) Tobias Renegade and its great Bartolini's and TC-7 pre, there is a world of tones-almost overkill, but a helluva lotta fun.
BTW, I've chosen BOSS, there are many other pedals that do the same processing, with their own voicings I am sure.