Recent content by Tim the pocket

  1. Tim the pocket

    Daily Fun: Can you guess this bass?

    Fender bass VI
  2. Tim the pocket

    Best bass for studio work

    If you can only have one bass, I suggest a G&L L2000, the Swiss Army knife of basses. You get a great variety of tones.
  3. Tim the pocket

    G&L Club Part 7

  4. Tim the pocket

    P or PJ Bass?

    I prefer the round tone of a P-bass. I've tried out many PJ's but the problem with mixing a humbucker and single coil is they don't blend well together IMHO. Get a P-bass and a Jazz bass, or save up a little more and get a G&L L2000 with the K-switch (single-coil option) and you get all that...
  5. Tim the pocket

    Adding P pickup to Stingray?

    Keep in mind that part of the Stingray sound is the preamp, and the P-bass sound is passive. I have tried out lots of used basses where someone has gone to the trouble and expense of modifying an instrument only to be disappointed with the results. Save yourself the headache and just get a P-bass.
  6. Tim the pocket

    I find it rather puzzling when people say a Jazz doesnt cut through the mix..lol

    It depends on the band you're playing with. My Jazz works great with hard rock bands, but when I was with a 12 piece disco band, the Jazz absolutely would not cut through the mix! In fact, the only basses that would work with that band were G&L's with the MFD pickups or Musicmans with ceramic...
  7. Tim the pocket

    G&L vs Fender vs Music Man

    My vote is for G&L. Their versatility, and consistency are unparalleled. Musicman is a close second. I have owned and played plenty samples of all 3 brands. For a number of years I had a '77 Stingray that sounded amazing in the studio, but didn't cut through very well live, but I had great...
  8. Tim the pocket

    What’s your favorite G&L?

    Even though I have owned lots of G&L's over the last 15 years, I highly recommend the L2000, because it's extremely versatile, and if you get it with the K-switch (single coil) option, you'll be able to get just about any tone imaginable (except Stingray, which you can get with a Kiloton).
  9. Tim the pocket

    Do you gig with a backup amp?

    I rarely ever take a spare head (I've had 3 amps fail on a gig in 30 years), but I always carry a Sansamp Bass Driver pedal in my gig bag.
  10. Tim the pocket

    G&L JB-2 question

    It's been quite a few years since I played one, but the body is about the same size as the SB1 and L2000 bodies, which are similar to Precision bodies.
  11. Tim the pocket

    Who made the permanent switch to 5 Strings?

    When I got my first fiver, a Carvin BB75 fretless in the early '90's, I thought I would never go back, but after i got into a working blues band 6 months later, I started using my 4 again. Since then, I have gone back and forth, depending the needs of the band. When I was in a 12 piece disco...
  12. Tim the pocket

    Music Man Stingray 5 H or HH ?

    I have owned both the Stingray HH (wired in parallel) and the Sterling HH (wired in series). Being a longtime G&L player, I was hoping to get the same versatility as a G&L, plus the MM tone. I found that I had to reduce the bass response whenever I added in the neck pickup. This is because the...
  13. Tim the pocket

    No shorts in gig contract

    I play lots of outdoor festivals in California during the summer (I did one a couple of weeks ago in Discovery Bay with the temp at 105!), and if that stipulation is not in the contract, I usually wear nice khaki shorts, along with a collared short sleeve shirt. Several weeks ago, I did one...