I have a relatively rare production sixer: The Wurlitzer 7771, '69 only, made by Crucianelli as part of a series usually badged for Welson.
One of these was the first bass I ever played, and I used it on my first gigs and through my flirt with college.
I've had it strung as a baritone, and now I'm trying it again in the bass register (E-E). The 26" scale makes it a little harder to find the right string tension.
Three pickups with knob selector, two tone circuits (rhythm and solo, solo controlled with the thumbwheels), zero fret.
I'm working out with it with the idea of applying it in a blues/jazz duo situation, playing with thumbpick and fingers for simultaneous bass and rhythm parts.
One of these was the first bass I ever played, and I used it on my first gigs and through my flirt with college.
I've had it strung as a baritone, and now I'm trying it again in the bass register (E-E). The 26" scale makes it a little harder to find the right string tension.
Three pickups with knob selector, two tone circuits (rhythm and solo, solo controlled with the thumbwheels), zero fret.
I'm working out with it with the idea of applying it in a blues/jazz duo situation, playing with thumbpick and fingers for simultaneous bass and rhythm parts.
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