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Über-Jay V Spalted Maple

Hi there. It has been a busy week and I just couldn't keep up with updates. Here's the bass assembled and stringed. I haven't done any set up yet. Neither do I have plugged it in. But I very much like the overall feel.

It always amazes me how familiar every new build feels, mostly. But then, each build has a little something that makes it different, surprising.

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From the moment the strings get in tune, the process of getting to know each other starts. That's a great feeling. Building is indeed a drug. I'm glad it's still legal :D

These strings are some cheep ones that I use for the very first test, since I know I'm not gonna plug it in. Then, when the overall seems OK, I unwrap the good ones :D

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Note to self: Swap the last two knobs around, please.

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Some of you liked the sketches I made for another build and asked for more. Here you go.

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I haven't looked at these sketches for quite a while. Quite a few similarities - and differences ;)

For instance, the different cavity cover shape; or the initial idea of having an Ebony laminate on the neck heel - which was discarded, I seem to remember, when we decided to go with Wild Olive center lam instead.

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Or the lack of G string inlay on the headstock... which between creative stage, development and actual inlay took about three weeks... the little things eh?

And the idea of adding Swamp Ash at both sides of the Maple headstock, which only came to me after I had sketched these.

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And the back of the headstock showing the channel-less adjustment system, which we didn't select.

Next up, taking better pictures and perhaps shoot a short movie with sound clips. I will hold on to this dude for a few more weeks, so...yeah...as Mr. Incredible would say - I've got time, I've got time :smug:

Thank you for following this build :)
 
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Thank you!

Back in the saddle :) The neck had about ten days to settle. I played it for about an hour, progressively lowering the action and filing a few frets here and there. It's pretty low right now but I can go even lower. Tomorrow I'll take care of it.

These are my last few days with the dude... we'll part ways in about two weeks.

here's a mystery shot of yours truly :bassist:

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Just a quick update, since I have promised to upload pictures and sound clip soon. OK...
The bass now is being rewired. It appears that I misplaced the Tone and B/T pots....:rollno: I thought it was right. But I was wrong. Ops.

So it will be ready in about one week. I'm off to Europe on Monday and back in two weeks. I will oblige then ;)
 
Update time. After two weeks in Europe - work, not holiday :scowl: - here we are again. This bass is ready to go. Just the time to take some decent pictures and sound clips and it's gone.

The knobs are in the right order now. This lay out makes a lot more sense. What was I thinking.....

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Sometime ago, when I started using the accessory in the picture below (from Stewmac), I promised to share my impression.

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Overall is very handy. I actually like it. But... the width is not enough on a 5er FB beyond the 17th fret. It really is designed with a guitar in mind - and perhaps a 4 strings FB.

One should probably expect this from Stewmac. They really are about guitar repairing. Their radius blocks for instance are too small for a 5er. LMI makes larger ones.

At times I wish I had gone the good ol' way. So, in the future I will mask the FB. Then, after the masking tape has been removed, I will use this tool to do touch ups on the fly. For that, this little thing is really cool.

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I also tried something else. This tool I bought for inlays can use all sort of bits and accessories. There are a few types of metal brushes, from hard to soft - the one in the picture is brass.

I used both the hard and soft brush together with the Stwemac fret mask to touch up some of the frets edges. I never know why, but in the end there's always one or two that still feel a bit rough. It works well.

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I tried to replace the foam under the p-ups with those little spongy bits. It didn't work out as expected - they got squashed LOL... So I went back to using foam.

The reason why I did that is, my p-ups sit very low and the foam is usually too thick. So, short of routing a deeper cavity, I have to cut the foam to at the least half the thickness.

Does anyone use a different material? Thanks.

Week end behind the corner. A good one to all TBers :bassist:
 
Thank you so much! I really appreciate it :)

@Pilotjones, I hear you man :) I will take a picture of the back of the headstock just before shipping it, when I can clip the excess strings (you can see them popping up from behind the HS in the first picture). It will look neater ;)
 
Now that pictures of the finished bass are uploaded, I thought it might be a good idea to list down the specs.

Über-Jay 5 Ragnarök.

34" scale; 12" radius; 19mm string spacing at bridge, 9.5mm at nut.

Moderately chambered Swamp Ash body.
Figured Spalted Maple top with black accent line.
Matching headstock with custom Ash inlay.

Asian Ebony fretboard.
Spalted Maple 12th fret block inlay.
Curly Maple/Wild African Olive/CM neck.
Tusq nut.

Sadowski J p-ups

OBP Vol, Bal, Tone with push/pull A/P, Stacked B/T

Hipshot bridge/tuners and custom hardware.

Total weight, 2.7kg/5.9lbs