• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

2x2 headstock vs straight 4

This one made me smile. With 4s it doesn't matter to me; I have 2X2, 3X1, and 4-in-a-row basses. That said, I normally play a 6 (all 3X3s.). I tried out a Tyler 6 quite a few years ago. Except for the odd headstock, it was in all ways a truly stunning bass. I didn't buy it though. It had a 36" scale, which didn't bother me in the least, but with a 6-in-a-row headstock and 36" scale I simply couldn't reach the C-string tuner...and I'm 6" tall!
View attachment 2908536
This headstock and it's logo are so awful, I honestly thought the picture was corrupted at first glance.
 
5CE78A46-181B-496A-955F-2A895245DBC0.jpeg
C500DA51-EB95-4F0F-92BF-41EF58BBC57F.jpeg

You’ve missed out! :)
 
Rumor has it Leo was heavily influenced by the silhouette of a double bass and/or violin peg head when designing the head of the Strat and '59 P bass.
View attachment 2908586

He was influenced by Croatian traditional instruments like Tamburitza.

View attachment 2908593

A lot of European guitars used a similar style, incline German makers who came over to the US like the Martin family. They also influenced the Travis Bigsby that predates the Strat by 15 years...

bigsby-tenor-01.jpg
 
  • Like
Reactions: Korladis
So in this thread we realize some bass players don't like what other bass players like or don't care about.

stop_liking_file.jpg


;) Just having fun...

I haven't been around much on these forums the past few years so Im sort of getting a kick reading about the various idosycnreacies some of us have..first it was the weight thread where people obsess about literally a couple of ounces difference in the same model bass now it's the inline headstock.

In no way mean any of that in a negative way either, it's just sort of an amusing observation to me.
 
The Fender in-line 4 headstock was designed to reduce the cost of manufacturing the instrument. By having all of the tuners on one side, only one part number was required for the tuners. If tuners are on both sides of the headstock, two part numbers are required (left hand and right hand). Also, the straight headstock is less costly to manufacture than an angled headstock. Since the string break angle over the nut is less, string trees are required to maintain the proper tension.

From a purely technical perspective, the angled headstock with 2 x 2 tuners is the better approach. In practice, Fender basses are a mainstay of the musical landscape. Other than the neck dive that can occur due to the heavy headstock, I don't think there are any practical implications for Fender's manufacturing cost cutting.
 
  • Like
Reactions: Standalone
What's wrong with a bass being used for metal? Lots of great basses are. Fenders, Rickenbackers, G&Ls, Sadowskys, Laklands, etc.

I shouldn't have said that. I got no problem with metal or any other kind of music, and it isn't metal that sits at the bottom of my personal list, but glam rock/hair band rock. And it seems like those 4 inline/angled headstock anyway basses were the choice of bands like that. It was an 80s thing, too, probably. That design (includes paint but no pickguard, often black hardware and sharkfin inlays) was kind of a fad, and deservedly went away.

Or maybe I'm misremembering all of it. Anyhow, the headstock I like the least is inline and angled. And has mini tuners. IMO, if you're gonna go inline, use clover tuners, a flat neck and a string retainer. If you're gonna angle the neck, go 2 + 2 or 3 + 2. 4 + 1 should be flat.

I wish they'd reissue those.

I'd like to see that myself, but I'd rather have a used one in good shape. I bet it would cost less than a reissue, too.
 
I shouldn't have said that. I got no problem with metal or any other kind of music, and it isn't metal that sits at the bottom of my personal list, but glam rock/hair band rock. And it seems like those 4 inline/angled headstock anyway basses were the choice of bands like that. It was an 80s thing, too, probably. That design (includes paint but no pickguard, often black hardware and sharkfin inlays) was kind of a fad, and deservedly went away.

Or maybe I'm misremembering all of it. Anyhow, the headstock I like the least is inline and angled. And has mini tuners. IMO, if you're gonna go inline, use clover tuners, a flat neck and a string retainer. If you're gonna angle the neck, go 2 + 2 or 3 + 2. 4 + 1 should be flat.



I'd like to see that myself, but I'd rather have a used one in good shape. I bet it would cost less than a reissue, too.
What about lollipop tuners on a 4 in line headstock?

I don't like 4+1, personally. I prefer 5 in line aesthetically, or 3+2/2+3.
 
What about lollipop tuners on a 4 in line headstock?

Love 'em. I've been planning a '66 J inspired bass for a while now.

I don't like 4+1, personally. I prefer 5 in line aesthetically, or 3+2/2+3.

I like 4 + 1 on Fender-style fivers just fine, waaaay better than I like 5 inline. The reason I haven't bought a 20 fret 5-string neck from Warmoth is because they won't do anything but 5 inline. G&L does a 3 + 2 on a Fender -style headstock which looks great.
 
  • Like
Reactions: Korladis
Love 'em. I've been planning a '66 J inspired bass for a while now.



I like 4 + 1 on Fender-style fivers just fine, waaaay better than I like 5 inline. The reason I haven't bought a 20 fret 5-string neck from Warmoth is because they won't do anything but 5 inline. G&L does a 3 + 2 on a Fender -style headstock which looks great.
I just put lollipop tuners on my Peavey, and I think they look better with the shape of the headstock than the clover style ones it had before did.

4+1 just always looks off to me. Like that one tuner was just tacked on as an afterthought. It looks lonely.
 
  • Like
Reactions: RBrownBass
It's remarkable how worked up people get over trivia like headstock configurations. It's yet another variant of, "Academic politics are so vicious simply because the stakes are so small."
i don't think luthiers would consider there headstock designs and configurations trivial. headstocks are the easiest way to identify the brand of most guitars so of course they put a lot of thought into what they want to represent there brand. fender tried a 2x2 headstock and it didn't fly. because that is not what a fender headstock is suppose to look like.
headstocks are guitars hood ornament.