If you like 2 + 2 consider buying a non Fender bass.
I did. Not dissing Fenders, just wanted something different.
I did. Not dissing Fenders, just wanted something different.
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The Soundgear line does nothing for me, really. Not saying that they're bad, just I'm not into them at all.Everything can be a factor in what makes a bass a good bass for me.
I like them a bit more, but not way more. The Soundgear line is an excellent, versatile design.
This headstock and it's logo are so awful, I honestly thought the picture was corrupted at first glance.This one made me smile. With 4s it doesn't matter to me; I have 2X2, 3X1, and 4-in-a-row basses. That said, I normally play a 6 (all 3X3s.). I tried out a Tyler 6 quite a few years ago. Except for the odd headstock, it was in all ways a truly stunning bass. I didn't buy it though. It had a 36" scale, which didn't bother me in the least, but with a 6-in-a-row headstock and 36" scale I simply couldn't reach the C-string tuner...and I'm 6" tall!
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The Soundgear line does nothing for me, really. Not saying that they're bad, just I'm not into them at all.
Meh. Not a fan.
Rumor has it Leo was heavily influenced by the silhouette of a double bass and/or violin peg head when designing the head of the Strat and '59 P bass.
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What's wrong with a bass being used for metal? Lots of great basses are. Fenders, Rickenbackers, G&Ls, Sadowskys, Laklands, etc.
I wish they'd reissue those.
What about lollipop tuners on a 4 in line headstock?I shouldn't have said that. I got no problem with metal or any other kind of music, and it isn't metal that sits at the bottom of my personal list, but glam rock/hair band rock. And it seems like those 4 inline/angled headstock anyway basses were the choice of bands like that. It was an 80s thing, too, probably. That design (includes paint but no pickguard, often black hardware and sharkfin inlays) was kind of a fad, and deservedly went away.
Or maybe I'm misremembering all of it. Anyhow, the headstock I like the least is inline and angled. And has mini tuners. IMO, if you're gonna go inline, use clover tuners, a flat neck and a string retainer. If you're gonna angle the neck, go 2 + 2 or 3 + 2. 4 + 1 should be flat.
I'd like to see that myself, but I'd rather have a used one in good shape. I bet it would cost less than a reissue, too.
What about lollipop tuners on a 4 in line headstock?
I don't like 4+1, personally. I prefer 5 in line aesthetically, or 3+2/2+3.
If I became upset because our opinions differ, that would be my problem.
I just put lollipop tuners on my Peavey, and I think they look better with the shape of the headstock than the clover style ones it had before did.Love 'em. I've been planning a '66 J inspired bass for a while now.
I like 4 + 1 on Fender-style fivers just fine, waaaay better than I like 5 inline. The reason I haven't bought a 20 fret 5-string neck from Warmoth is because they won't do anything but 5 inline. G&L does a 3 + 2 on a Fender -style headstock which looks great.
i don't think luthiers would consider there headstock designs and configurations trivial. headstocks are the easiest way to identify the brand of most guitars so of course they put a lot of thought into what they want to represent there brand. fender tried a 2x2 headstock and it didn't fly. because that is not what a fender headstock is suppose to look like.It's remarkable how worked up people get over trivia like headstock configurations. It's yet another variant of, "Academic politics are so vicious simply because the stakes are so small."