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5 string basses should be 35” scale

Floppy B strings are intolerable.

Leo made the modern bass at guitar 34” scale to accommodate 4 strings. It is perfect for that specific purpose. Years ago I switched to 5 string and got an American Deluxe Jazz V. It was beautiful, sounded great, but the low B felt a bit like a rubber band.

Years later, Musicman Stingray 5. I loved that bass. It was slightly better with the low B. Still didn’t feel right. At the same time I played an Ibanez 6 string for solo bass arrangements. The high C was fun but that low B was rubber city.

Then I got a Lakland 55-02. Dammit, they got it right. The 5th string is taught, clear, and feels like a natural extension of the bass. It’s big, no doubt. I had to adapt to it but it’s the best 5 string I have ever owned.

My query is, what’s next? Does Sadowsky make a 35” 5 string? I want to get my high end, forever bass at this point in my life. I have pondered owning a Sadowsky for the build quality and tone. Does the B string sing with clarity? Should I go with an American Lakland? What are your thoughts?
 
What strings? What bass construction? What pickups and electronics?
Making a 2.9% change in scale length somehow makes a massive difference? My experience doesn't agree, nor does it with many other players in terms of tone. Feel is a very particular and individual preference and string properties are most likely to have the most effect here.

Is Tony Grey a moron because his new headless Fodera 6, strung B-C is 30.75"?
 
Regarding Sadowskys: none of the three Jazzes I've owned had B strings that impressed me all that much. The B string on my Sadowsky Modern is, however, great. The B string on my 34" MTD Saratoga is just as good as most 35" Bs I've played. If you are looking for Sadowsky quality in a 35" Jazz style bass then you definitely have options (Lull and Valenti come to mind immediately). I love my 35" Lull M5V (with Sadowsky preamp).
 
Regarding Sadowskys: none of the three Jazzes I've owned had B strings that impressed me all that much. The B string on my Sadowsky Modern is, however, great. The B string on my 34" MTD Saratoga is just as good as most 35" Bs I've played. If you are looking for Sadowsky quality in a 35" Jazz style bass then you definitely have options (Lull and Valenti come to mind immediately). I love my 35" Lull M5V (with Sadowsky preamp).
Thanks, I’ll look into that!
 
What strings? What bass construction? What pickups and electronics?
Making a 2.9% change in scale length somehow makes a massive difference? My experience doesn't agree, nor does it with many other players in terms of tone. Feel is a very particular and individual preference and string properties are most likely to have the most effect here.

Is Tony Grey a moron because his new headless Fodera 6, strung B-C is 30.75"?

Tony Grey is no moron! I got the privilege of working with Louis Johnson years ago. He told me “The 4 string was never broken, you don’t need a 5!” I said that I need the extra notes, he said “use a synthesizer!”

My point is that 34” is ideal for 4 strings. I have played wonderful 34” 5 strings, but none stand up the Lakland 35”
 
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For me, the sound of the B trumps the feel. So far, my favorite B string sound is the F Bass BN5. It is an odd duck at 34.5 inch scale. My next favorite is any flavor of Ernie Ball B string. That being said, my Sterling SUB 5 B string sounds epic, especially for the price!

I don't find any EBMM or SBMM B to be floppy. As for the F Bass, I just wish I could afford one.
 
Birdsong 5 strings are remarkable. They’re short scale.

My Kiesel 5 B is as solid as the E.

It’s not the scale alone. It’s the design and the strings.

Just saying it’s over simplistic to say the scale alone is the factor. There are a lot of builders making shorter 5 and 6. And it’s equally true there are some floppy B strings out there too.
 
I've played 34" five-strings since the late 80's exclusively. Yes, depending on the set on a given bass, some may feel tighter . . . . and some looser, as you've experienced. I learned to live with it and forget about it a long, long time ago. All instruments are a compromise in one way or another, and for me it was never a thing. I just play it. If anything, it's easier to bend or vibrato!

I'd also suggest two things I've found from experience:

First, the harder the woods, the better B (and overall articulation up and down the neck) you'll find. In most regular instruments, I find an ash body and a hard maple neck are a very good recipe, with a rosewood or better yet, ebony fingerboard.

Second, regardless of whether it's cheap passive pickups all the way to sophisticated low-impedance electronics, a good setup followed by very careful attention to the pickup heights on the B side can be critical. It's very easy with that big string for it to get woofy REAL fast if you're pickup height is off.

I prefer 34" over 35" (or more . . . ) as basses are big enough (and I'm not a little guy) and I far prefer the greater string choices available for 34" than 35".


As seen above . . . . your results may vary.