• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

5 string prejudice applies to 4 as well.

This kinda reminds me of a worship leader that told me i was wrong in saying that the key of a song was "B". He thought it should be called C-flat

To be really nit-picking, Cb is technically a different key to B (in terms of the key signature) and there could be reasons for choosing one over the other for certain instrumentation. No difference in the actual notes being played, obviously. :)

On topic, I'd just agree with all the other comments here about what a timewasting no-hoper that guitarist must have been. Lucky for the OP that you got out early, imo.
 
Obviously he is getting lost somehow and needs to check out your neck position for his own place in the music. He is a lame butt. I would tell him don't worry about what I am doing, I got the notes down, if you have to keep looking at my hand position in order to not get lost then it is you with the problem- then punch him in the face!:D
 
This kinda reminds me of a worship leader that told me i was wrong in saying that the key of a song was "B". He thought it should be called C-flat

To be really nit-picking, Cb is technically a different key to B (in terms of the key signature) and there could be reasons for choosing one over the other for certain instrumentation. No difference in the actual notes being played, obviously. :)

He might have been right, but you could have told him, "It's easier to read in five sharps than seven flats," and given him a :spit: .

:D
 
i turn up with fivers anywhere if they dont like it screw them. i had to explain to a band i jammed with for a bit (who where in drop C) that i could play all that they wanted in standard 5 string tuning. thankfully they didnt care so long as it sounded right. which is whats important.
 
He might have been right, but you could have told him, "It's easier to read in five sharps than seven flats," and given him a :spit: .

:D
It might be for us folks with non-transposing instruments. But I know a few sax and brass players who'd have nightmares if all arrangers thought like that. ;)

In some ways, even for us string players, 7 flats is easy. How do you remember which notes need to be flattened? That's not a problem if the answer is "all of them".

As I said, not a big deal in most situations. Let's get back to character assassination of the guitarist in question here. :D
 
Devil's Advocate: Did the guitarist ever play an open Low C chord? If you wanted to double it for a bonecrushing huge C, you'd have to do it an octave above what he intended. If you were actually in drop C, you could hit that low C along with him and vaporize bowel contents satisfactorily. Perhaps that's why he was perturbed.

Guy is still a jerkass for throwing a gradeschool hissy fit and firing you via text message.
 
Devil's Advocate: Did the guitarist ever play an open Low C chord? If you wanted to double it for a bonecrushing huge C, you'd have to do it an octave above what he intended. If you were actually in drop C, you could hit that low C along with him and vaporize bowel contents satisfactorily. Perhaps that's why he was perturbed.

I'm confused. What prevents you from simultaneously playing a C1 and a C2 on a B E A D tuned bass? That would be the 1st fret on the 4th string, along with the 3rd fret on the 3rd string.
 
Devil's Advocate: Did the guitarist ever play an open Low C chord? If you wanted to double it for a bonecrushing huge C, you'd have to do it an octave above what he intended. If you were actually in drop C, you could hit that low C along with him and vaporize bowel contents satisfactorily. Perhaps that's why he was perturbed.

Guy is still a jerkass for throwing a gradeschool hissy fit and firing you via text message.

Um, doesn't the C on a B string = low C?