I'm sure that's what it is, but unfortunately, that skews my perception.They are both very loud in the mix. I presume that's been done to allow people to hear the bass more easily rather than being representative of a final mix.
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I'm sure that's what it is, but unfortunately, that skews my perception.They are both very loud in the mix. I presume that's been done to allow people to hear the bass more easily rather than being representative of a final mix.
What body material was used on the ‘62 and ‘72. Was the manufacturing technique of the pickups changed at the factory between ‘62 vs ‘72? What do you measure in k-ohms on both pickups?
which does beg the question - did OP play them slightly differently because of his preconceptions, altering the sound subtly to conform to those preconceptions?
Two thoughts.
1. The lkely QC controls became much more prevalent in the mid 70s.
2. Most issues were less in the sound, but looks/playability (heavier Northern Ash, sloppy neck pockets, sloppy routing due to worn out jigs, change in finishes, sloppy woodworking in general due to emphasis in increased production and less care in things like body grain match and number of pieces of wood per body).
Do we know when the OP is going to tell us? I don't want to look impatient but the suspense is killing me.
I'd like to know what the signal chain is.
Steve, this is a great thread you started.
Bass-->Monster Cable-->M-Audio USB interface-->Audacity DAW on my PC
No compression or effects.
- Steve
Really? No Precision I have sounds quite like that, but I tend to run open on the tone, and then turn down the treble in other ways. What tone settings and capacitor values? I'd love to hear one in the same context and settings with TI flats on as I'd have more of a comparison basis. I'd also love to hear either one at final mix levels.