Palmer and Bowie were the two most handsome guys in music biz.
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Vinegar Joe with Elkie Brooks
I had never even heard of this!
More of a jazz (with a smattering of blues) artist these days. Saw her about 10 or so years ago doing a load of jazzy stuff at one of those “bring a picnic” summer gigs at Ascot race course (supported by the jazz fusion guitarist Tony Remy and his band). That was a good night!Vinegar Joe were one of the first real bands I saw as a very young teenager... the front line of Robert Palmer and Elkie Brooks was awesomely good. Shame RP left us way too young. Elkie Brooks lives round this way, not sure what she's doing these days...
Well, Lowell George does play on five tracks of Sally, then you have The Meters on some of those; LF certainly drew much inspiration from them.It kind of really does out-feat, for sure.
Back in the day I really liked them. Pretty sure I had the cassette. To be a kid again...Only Andy and John (who aren't related), Roger (also not related) was playing with Arcadia...Tony Thompson was the drummer for Power Station
For those interested in the real thing:
The horror of RP and "We Built This City" gives me the willys.In my younger years I worked in record stores and Palmer was a "find" of mine; I'd spin his early, obscure LPs in the store(s) at every opportunity and customers would often inquire, favorably, about "Who is that?" I was a big, big fan of his eclectic, tasteful records, happy to "spread the word."
So imagine my surprise when, years later, staying as a guest in the Kabuki Hotel in San Francisco's Japantown, I exit my room into the hallway and run into a very well dressed guest leaving his room. I said to myself, "That's Robert Freaking Palmer!!!"
Not being a shrinking violet, I immediately glommed him, asked him what he was doing in San Francisco. I almost spit my teeth out when he replied that he was in town "auditioning for the Jefferson Starship," a match NOT made in heaven, in my estimation.
Thankfully, we all dodged that bullet. Very nice man, BTW.
No shame in looking. I do it too - every time. And I'm only doing the backing vocals in our version.I sing and play Bad Case Of Loving You on every gig. We do in D, because yours truly can't make the vocal work in E. And every time, I have to look down to find the 17th fret for that little riff...
In my younger years I worked in record stores and Palmer was a "find" of mine; I'd spin his early, obscure LPs in the store(s) at every opportunity and customers would often inquire, favorably, about "Who is that?" I was a big, big fan of his eclectic, tasteful records, happy to "spread the word."
So imagine my surprise when, years later, staying as a guest in the Kabuki Hotel in San Francisco's Japantown, I exit my room into the hallway and run into a very well dressed guest leaving his room. I said to myself, "That's Robert Freaking Palmer!!!"
Not being a shrinking violet, I immediately glommed him, asked him what he was doing in San Francisco. I almost spit my teeth out when he replied that he was in town "auditioning for the Jefferson Starship," a match NOT made in heaven, in my estimation.
Thankfully, we all dodged that bullet. Very nice man, BTW.