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I just recently got a 6 string, and it's alot of fun, but it's a totally different animal from playing a 4 - or even a 5 - with the neck being so much wider.
I don't know if I'll ever play a 9, but I'll certainly try it if I see one.
and here's a pic from our last GTG of some ERBs:
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*Spade*? IMO, not a well-chosen term, particularly in the context of respect(look up the origins of that phrase).
.By the way, Bill Dickens is one of my least favorite Bassists.
Kind of more like if you are a piano player playing backgroung dinner jazz for a wedding and you bring a stack of synths, a Rhodes, a B3 etc.
Or you are a drummer in a blues band and you bring 2 snares 2 bass drums and a gong.
Do you mind explaining why?
not least for me... but I generally dislike his tone and anything I've heard of him that I know of has been less than musical to my taste.
Hellofa technician... mad skillz. I just don't 'like' it.
Kind of more like if you are a piano player playing backgroung dinner jazz for a wedding and you bring a stack of synths, a Rhodes, a B3 etc.
Or you are a drummer in a blues band and you bring 2 snares 2 bass drums and a gong.
![]()
Kind of more like if you are a piano player playing backgroung dinner jazz for a wedding and you bring a stack of synths, a Rhodes, a B3 etc.
Or you are a drummer in a blues band and you bring 2 snares 2 bass drums and a gong.
Actually it'd be nothing like that at all- it's still just one bass; takes up no more room than any other single bass and just as easy to transport.
origin? huh? guess I live in a box. whatcha mean?
I just saw a jazz show on TV with Vanessa Williams as the featured guest.The bassist had this monster bass.It looked like a 9 string bass.Is there such a thing?
At first I was really impressed thinking "Oh, this guy must be really good" but then as I listened I was thinking, what a hassle to drag this thing around and spend 120.- bucks on a set of strings and all of that only to do something that you could play on a 4 string just as well.
I figure if you have a bass like that you better do something special with it or else you look just like a poser.
I'll repeat: Look it up.
That said, googling the entire phrase led me to learn that the racist-tinged *meaning* I thought was the original meaning was not so; I have learned something. A complete day for me.![]()
I just recently got a 6 string, and it's alot of fun, but it's a totally different animal from playing a 4 - or even a 5 - with the neck being so much wider.
I don't know if I'll ever play a 9, but I'll certainly try it if I see one.
and here's a pic from our last GTG of some ERBs:
![]()

For me, this is the crux of the matter .... Al Caldwell is, IMO, a truely world-class musician and is one of the best bassists I have heard in both traditional supporting roles and soloing. As stated, extremely tasteful at all times, and quite diversified in many styles of music.The moral of the story is that one uses the tools they are most comfortable with and reflects their musical voice. I, too, saw the Vanessa Williams show on A&E and commented on his tone and tasteful use of his beautiful (he used the figured maple bass) instrument when backing Ms. Williams. What does it matter which tool/instrument you use as long as it assists you in getting the job done in an appropriate manner?
But on the majority of his gigs he doesn't play like that at all. He's a very accomplished pocket player.
so many people have said... and I've yet to hear. Like the person you originally questioned, I stated my OPINION. Do disrespect to Bill, like I said the man has mad skillz. I just don't dig the music I've heard.
Do disrespect to Bill
I didn't take it as any disrespect.
Here's Bill with Stevie Wonder.