I recently revisited the task of working on my tone by focusing on technique. I realize I can’t get distortion, chorus, etc. by technique alone, but in the weeks after the death of EVH, I heard and read several stories of artists who got the opportunity to play through Eddie’s rig on Eddie’s guitar but found they still sound like themselves. Several other stories said Eddie picked up another artists guitar and played through their rig, but still sounded like EVH. I’m sure the same thing would apply to Geddy Lee or <insert other well known bassists here>
This phenomenon is probably best described as being caused by “style” rather than “technique”, but it got me to thinking that if I want to play cover songs and nail the sound, I should probably work harder on my playing style / technique and be a little less concerned about cranking on tone &/or effects knobs.
But now a question; does a player’s style coming through as their defining “sound” apply less to bass than it does to guitar or other instruments? I say style and technique still define the “sound” of bassists like John Pattitucci or Victor Wooten, but I’m not sure it defines the sound of bassists like Duck Dunn, Bob Babbitt, Carol Kaye, or maybe they are just masters of sounding like whatever the song needed....
This phenomenon is probably best described as being caused by “style” rather than “technique”, but it got me to thinking that if I want to play cover songs and nail the sound, I should probably work harder on my playing style / technique and be a little less concerned about cranking on tone &/or effects knobs.
But now a question; does a player’s style coming through as their defining “sound” apply less to bass than it does to guitar or other instruments? I say style and technique still define the “sound” of bassists like John Pattitucci or Victor Wooten, but I’m not sure it defines the sound of bassists like Duck Dunn, Bob Babbitt, Carol Kaye, or maybe they are just masters of sounding like whatever the song needed....