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Acinonyx V2 - its for real!

Series is the fatter/louder sound. Thinner and quieter is parallel.

I already wanted a V1 but couldn't justify it, then I heard about the v2 "Strat Cat" and want one even more than I ever wanted v1. The more I hear the v2, the greater my GAS increases.
 
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So Carey Nordstrand began his career as a luthier. Building basses turned into designing pickups. That took over the business almost exclusively. In came the Goya Panther, courtesy of Juan Alderete (Racer X, Mars Volta) and it inspired the Ah SIN Ah Nix. They are manufactured in Indonesia and the V2 basses are assembled here in Redlands, CA.

What exactly is "assembled here" covering? What is the difference between the V1 and V2 that would make the V2 assembled here and the V1 not?
 
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What exactly is "assembled here" covering? What is the difference between the V1 and V2 that would make the V2 assembled here and the V1 not?
currently the electronics and pickguard are manufactured in-house with body and neck coming from indonesia. That may change in the future.
 
I think the reason it has more dynamics is that it's body is light-weight (basswood?) and responds more from player input than a heavy slab of wood would. A heavy bass relies more on the pu output for dynamics, but won't transfer playing technique as physically. As an example - the difference between a hollow-body and solid body. A hollow-body will respond more to player input, resonationg through the body, amplified by the pu's.

I like the design (based on the '60s Goya Panther, as mentioned above - 5th pic) overall but prefer slider switches like on my 3 pu ESP/Grass Roots Bass IV. (based on the Fender VI - first 3 pics) The Goya had separated push-button tabs which are easier to engage.

It's interesting that 3 pu basses are starting to appear of late, including Fenders' Rascal from a few years ago. (turquoise bass) Burns of London (last pic) was probably the 1st 3-pu bass produced. (mine is a '63)

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The rascal and the Acinonyx were very strong influences when I did this little short scale. The three pickups of the rascal and extra switched modes of the cat bass. Both such great basses. Really great to see new ss basses coming out with different vibes:)
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You mentioned the series/parallel switch and noting how one is louder than the other. I have that option on a G&L L2000 and usually leave it in series (fuller/louder). On the 3-pu ESP/Grass Roots Bass IV I posted above, the 4th switch is wired direct pu-to-jack, bypassing the V &T pots. So whatever combination of pu is on - it goes straight to the jack, providing a clean boost. It's pretty handy if there's a part in a song that needs to jump out, and it's done easily/quickly at the flip of a switch. It requires a two pot (V/T) set-up like on your bass and is a pretty simple mod.
 
I think the reason it has more dynamics is that it's body is light-weight (basswood?) and responds more from player input than a heavy slab of wood would. A heavy bass relies more on the pu output for dynamics, but won't transfer playing technique as physically. As an example - the difference between a hollow-body and solid body. A hollow-body will respond more to player input, resonationg through the body, amplified by the pu's.

Interesting, I have been pondering ways to maximize "tone is in the fingers".
Bass weight was not something I had considered. Now I may need to think of a hollow body.
 
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