I started on BG then DB. A plywood bass may run $1000 to 2000 used.
Best thing I did was study The Nanny Method book with a good teacher.
Best thing I did was study The Nanny Method book with a good teacher.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Figure on spending an absolute minimum of $1k for a ply, and $2k for a hybrid.
For bassist who play both Double bass and Electric, how do you balance time for playing both?Also do double bass methods help with Bass guitar left hand technique?
Thank you. Everything is so expensive today and it's getting worse.I bought my first DB, a used German factory ply, for $300 in 1981. Sadly basses aren't found that cheap anymore. $300 won't even buy a set of gut strings, never mind a bass to put them on![]()
If there's truly no local sources of any kind, there are a few reputable places that do mail order and can assist you in choosing a first bass, like Gollihur Music and Upton Bass.
Good luck to both of you, it's a fun journey.
I hear you. I remember getting a Czech factory ply Strunal that played well from a music store for $550 a decade or so ago. It even came with a nice gigbag and two bows.I bought my first DB, a used German factory ply, for $300 in 1981. Sadly basses aren't found that cheap anymore. $300 won't even buy a set of gut strings, never mind a bass to put them on![]()
I know a lot of Cello repertoire from listening to a lot of solo music. I have not found a lot of recordings for double bass. What recordings should I be listening to?
Bowing is extremely important. Right now that's all I'm practicing.Tacking on to some other comments made here, absolutely do not try to learn this instrument on your own. Even with an instructor I got very discouraged early on practicing bow technique. The notes often wouldn't come out, and I didn't understand why (until I got to the next lesson and we could talk about it.) I can't imagine going through that experience without proper instruction without just getting fed up and quitting.
And if you're thinking "well I don't care about bow"...
1. That's what I thought at first too, until I noticed how sweet it can sound (and feel)
2. Even if bowing is not your goal, it makes intonation mistakes more obvious, forcing you to develop better left-hand technique, which will help whatever you play.
Congrats! I started on DB when I was 40 after playing electric for a little over a decade. I had spirocores on my bass and I could not believe how awful the bow sound was. Even playing pizzicato I remember cursing out loud and thinking how does anyone makes this instrument sound good? But I just loved the sound of the great DB players like Paul Chamber, Sam Jones, Ron Carter, plus the classical repertoire, and I forced myself to practice every day. I learned to play poorly in a few keys and would play along with recordings that didn’t have bass (some Gillian Welch records and a Teddy Wilson solo piano collection). That was rewarding at the time. At a certain point I realized I needed to start playing DB with other people and not just alone in my apartment. I posted on this forum and got some suggestions for Jazz workshops in NYC. I started doing that and working with a teacher regularly (after having done a few one offs with teachers around town but nothing regular). Weekly lessons and practicing one hour per day kicked me up a notch. And having to keep up in a Bebop workshop where I was the weakest link made me get my act together. I kept at it, eventually made some connections at the workshops, got a regular Saturday session with some folks. That got me wanting to go back to school to finish my undergraduate degree at age 47! In music! That was fall 2019. I just finished my third year. I go back in September to start my senior year getting my BFA in Jazz studies as a double bass major. I have a paying trio gig tonight at a place in midtown Manhattan with the word “Jazz” in its name. It’s possible to learn and flourish on this instrument as a late starter. It’s more work than you can imagine, but also more rewarding. Congrats on your journey! Keep us posted on it!You'll be happy to know I had my first double bass lesson Sunday. I was lucky to find a great teacher and I learned a lot. I actually got some nice tone out of my bowing hand. I practiced for an hour tonight I think an hour a day is a good start.
Three things:
1) Of course you have to build hand strength;
2) Need more lessons, you're probably not using perfect left hand technique, which takes a while to get ingrained;
3) String height is likely too high at the nut. I don't know why but it seems like every stringed instrument I have ever bought or rented came to me with absurdly high strings at the nut. Like the one guitar that the tech tested out and IMMEDIATELY said "Wow, that's just basically unplayable!"
Hi I deleted my post because I was just letting out frustration. The string height doesn't seem to bad. You right everyday my hand and fingers are getting stronger. I go for my next lesson during the week. Thanks for the advice.Three things:
1) Of course you have to build hand strength;
2) Need more lessons, you're probably not using perfect left hand technique, which takes a while to get ingrained;
3) String height is likely too high at the nut. I don't know why but it seems like every stringed instrument I have ever bought or rented came to me with absurdly high strings at the nut. Like the one guitar that the tech tested out and IMMEDIATELY said "Wow, that's just basically unplayable!"
That is a motivational story if ever there was one! I’m 49 and just started DB after decades of BG.Congrats! I started on DB when I was 40 after playing electric for a little over a decade. I had spirocores on my bass and I could not believe how awful the bow sound was. Even playing pizzicato I remember cursing out loud and thinking how does anyone makes this instrument sound good? But I just loved the sound of the great DB players like Paul Chamber, Sam Jones, Ron Carter, plus the classical repertoire, and I forced myself to practice every day. I learned to play poorly in a few keys and would play along with recordings that didn’t have bass (some Gillian Welch records and a Teddy Wilson solo piano collection). That was rewarding at the time. At a certain point I realized I needed to start playing DB with other people and not just alone in my apartment. I posted on this forum and got some suggestions for Jazz workshops in NYC. I started doing that and working with a teacher regularly (after having done a few one offs with teachers around town but nothing regular). Weekly lessons and practicing one hour per day kicked me up a notch. And having to keep up in a Bebop workshop where I was the weakest link made me get my act together. I kept at it, eventually made some connections at the workshops, got a regular Saturday session with some folks. That got me wanting to go back to school to finish my undergraduate degree at age 47! In music! That was fall 2019. I just finished my third year. I go back in September to start my senior year getting my BFA in Jazz studies as a double bass major. I have a paying trio gig tonight at a place in midtown Manhattan with the word “Jazz” in its name. It’s possible to learn and flourish on this instrument as a late starter. It’s more work than you can imagine, but also more rewarding. Congrats on your journey! Keep us posted on it!
Can you post a video of yourself playing this page that is making your hand hurt? There is a certain amount of strength building that’s required but a reasonable amount of daily practice should not result in hand pain. You may be doing something incorrectly or inefficiently which members of this forum could help you with. I recently lowered my end pin length and am experiencing less wrist fatigue than I had before. Sometimes a small adjustment can make a big difference. Are you working out of Simandl?I've been playing for a month now and my left hand still hurts. I been playing the same page for a month in half position. I'm 49 I think I'm told old for this. I don't need to get carpal tunnel.