I gig/rehearse with my best gear with a few exceptions - I have a couple of vintage pedals that I only use for recording. I'd rather they don't have drinks spilled on them. I'd rather the Boss & MXR pedals take that kind of abuse instead.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Not me....don't we love instruments that look beat to hell from years of use?
These days I am not gigging in a band so I just sit and stare at my instruments.![]()
I wonder if orchestral musicians have 'beaters' they take to the gig. "I just use my $20,000, 10 year old bass and leave the $100,000, 100 year old bass for the important gigs. Good thing I make at least $35,000 per year as a professional classical musician!"It's not unusual for a musician to carry in $5000-worth of gear to do a $50-gig. ...
I wonder if orchestral musicians have 'beaters' they take to the gig. "I just use my $20,000, 10 year old bass and leave the $100,000, 100 year old bass for the important gigs. Good thing I make at least $35,000 per year as a professional classical musician!"
I play my best stuff always!There's three threads running right now that kinda make me shake my head.
Having a cheapo bass you can leave in the trunk, cheapo amp for rehearsal, and 'not using you number 1 for rehearsal'. And one a few weeks ago- Do you bring a beater to gigs, so as not to put any wear on your #1?
First of all, we are going to spend FAR MORE of our time practising (by a factor of 500/1 perhaps) than we will on stage (unless you're Bob Weir) Is that kinda like having 'good dishes' that are only only for guests that never seem to come?
Bad rehearsal amps. Isn't building a great tone PART of rehearsal?
What is the point of owning professional gear, and then being afraid to take it to a gig?
Doesn't pride of ownership carry over to actually USING your good gear?
I've never heard of a carpenter who is afraid of taking his GOOD hammer to the jobsite,
or a scientist that uses cheap testing gear, saving the good stuff for when they really have cured cancer.
My grandmother put plastic covers on her sofa 'to keep it nice' and sat in an uncomfortable puddle of her own sweat for forty years.
Every single instrument, and piece of gear I've ever owned was bought for the sole purpose of being used. Since a $12K Alembic bass was a mere tree, it was built for one purpose- to be used, and if the situation arises- to be used on stage.
If it were the other way around it would be lots of gigs and one bass. ... Like the old days.Is there an inverse relationship between number of basses owned and number of gigs played?
There's three threads running right now that kinda make me shake my head.
Having a cheapo bass you can leave in the trunk, cheapo amp for rehearsal, and 'not using you number 1 for rehearsal'. And one a few weeks ago- Do you bring a beater to gigs, so as not to put any wear on your #1?
First of all, we are going to spend FAR MORE of our time practising (by a factor of 500/1 perhaps) than we will on stage (unless you're Bob Weir) Is that kinda like having 'good dishes' that are only only for guests that never seem to come?
Bad rehearsal amps. Isn't building a great tone PART of rehearsal?
What is the point of owning professional gear, and then being afraid to take it to a gig?
Doesn't pride of ownership carry over to actually USING your good gear?
I've never heard of a carpenter who is afraid of taking his GOOD hammer to the jobsite,
or a scientist that uses cheap testing gear, saving the good stuff for when they really have cured cancer.
My grandmother put plastic covers on her sofa 'to keep it nice' and sat in an uncomfortable puddle of her own sweat for forty years.
Every single instrument, and piece of gear I've ever owned was bought for the sole purpose of being used. Since a $12K Alembic bass was a mere tree, it was built for one purpose- to be used, and if the situation arises- to be used on stage.
Never hurts to let the people know whether they're on your A list or B list.