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Afraid to use your nice gear?

I feel like much of this discussion is resting on the assumption that the audience can tell the difference between the 3,000 dollar Pedulla and the 500 dollar Yamaha. Both are completely gig-able instruments, but perhaps a person owns the Pedulla for themselves as a prized possession, and doesn't feel like the audience, the band, or him/herself is being short changed by not bringing it?
 
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One thing I meant to cover in my previous post was that I’ve owned and played the heck out of a few basses over the years with no thought of treating them gently- basses I bonded with and assumed I’d keep forever.
It’s been a while since I’ve felt that way about an instrument, and I’ve been overly careful these past few years in keeping that showroom shine on basses I’ve bought and sold.
However, that’s all about to change- my next bass is a dream bass and it’s gonna be punished.
 
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I have always brought whatever basses were necessary for the music at hand, at any gig, no exception. I have always had decent gear, no cheap stuff (well, beside all those Fenders I used to own). I used to own one definitely collectible bass, that one got used for everything from big festivals to sleazy college dive bars. One time, at a winery gig, a horn player from another band on the bill asked why I was playing my definitely collectible bass, all the while holding a very expensive instrument, himself. :laugh:

These days I am not gigging in a band so I just sit and stare at my instruments. :D
 
I always get lost on the hammer analogy. I've been a carpenter and my hammer and my bass are two different things. But this thread just convinced me to sell a cheaper P bass I put together. Luthier took 10 months to do some routing and by the time it came back j had no real use for it. But it's pretty so I kept it around. But I'm never gunna use it at a gig or even practices. And I'd rather use one of my main stays around the house anyhow. So thanks!
 
1. I don't own gear I wouldn't take to any gig, with the exception of my 150 year old upright. I won't take that to an outdoor gig where I know it will be exposed to the elements. Especially rain or sun.

2. I don't play gigs I wouldn't take my gear to. If I don't want my gear going into a dive bar, I sure as heck don't want to be there, either.

I'm more apt to take something other than my #1 simply because my #1 has new strings that I'm saving for a session and I don't want to ruin them with a sweaty gig. I do that quite a bit when I've got session work lined up for a few weeks.
 
I always bring my "good" stuff unless something else is provided, or it's going to be an outdoor venue with the potential for dirt, rain, fog, you name it. If the set up is an old trailer etc. I'll skip bring the old combo as well. I have an old Fender 1x15 250 watt combo that I can bring and thrash for that.
 
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It's not unusual for a musician to carry in $5000-worth of gear to do a $50-gig. ...
I wonder if orchestral musicians have 'beaters' they take to the gig. "I just use my $20,000, 10 year old bass and leave the $100,000, 100 year old bass for the important gigs. Good thing I make at least $35,000 per year as a professional classical musician!"
 
I agree, if you gig and have something too nice to gig with, I don't quite get that. But I do not rehearse with my gigging amp or bass. Not because they're "too good" but mainly because I don't want to lug the stuff around. And I don't really need to craft my tone at rehearsal. My gigging amp is a combo with 9 knobs. If I can't dial that in, I need to just sell it all and play the triangle. So, isosceles or scalene?
 
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There's three threads running right now that kinda make me shake my head.
Having a cheapo bass you can leave in the trunk, cheapo amp for rehearsal, and 'not using you number 1 for rehearsal'. And one a few weeks ago- Do you bring a beater to gigs, so as not to put any wear on your #1?

First of all, we are going to spend FAR MORE of our time practising (by a factor of 500/1 perhaps) than we will on stage (unless you're Bob Weir) Is that kinda like having 'good dishes' that are only only for guests that never seem to come?
Bad rehearsal amps. Isn't building a great tone PART of rehearsal?
What is the point of owning professional gear, and then being afraid to take it to a gig?
Doesn't pride of ownership carry over to actually USING your good gear?

I've never heard of a carpenter who is afraid of taking his GOOD hammer to the jobsite,
or a scientist that uses cheap testing gear, saving the good stuff for when they really have cured cancer.

My grandmother put plastic covers on her sofa 'to keep it nice' and sat in an uncomfortable puddle of her own sweat for forty years.

Every single instrument, and piece of gear I've ever owned was bought for the sole purpose of being used. Since a $12K Alembic bass was a mere tree, it was built for one purpose- to be used, and if the situation arises- to be used on stage.
I play my best stuff always! :)
 
There's three threads running right now that kinda make me shake my head.
Having a cheapo bass you can leave in the trunk, cheapo amp for rehearsal, and 'not using you number 1 for rehearsal'. And one a few weeks ago- Do you bring a beater to gigs, so as not to put any wear on your #1?

First of all, we are going to spend FAR MORE of our time practising (by a factor of 500/1 perhaps) than we will on stage (unless you're Bob Weir) Is that kinda like having 'good dishes' that are only only for guests that never seem to come?
Bad rehearsal amps. Isn't building a great tone PART of rehearsal?
What is the point of owning professional gear, and then being afraid to take it to a gig?
Doesn't pride of ownership carry over to actually USING your good gear?

I've never heard of a carpenter who is afraid of taking his GOOD hammer to the jobsite,
or a scientist that uses cheap testing gear, saving the good stuff for when they really have cured cancer.

My grandmother put plastic covers on her sofa 'to keep it nice' and sat in an uncomfortable puddle of her own sweat for forty years.

Every single instrument, and piece of gear I've ever owned was bought for the sole purpose of being used. Since a $12K Alembic bass was a mere tree, it was built for one purpose- to be used, and if the situation arises- to be used on stage.

What nice gear? Seriously, I don’t have nice, I have tools. Tools get used, and there may be a life expectancy with them. The best part of this outlook is I don’t have to pay a premium to get new old looking gear.