Is there a spot about them in Issue #14, or will that be in #15?Yup. The Prodigy and Strategy both have adjustable bias (to deal with the greater bias variances in KT88s, according to Mesa).
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Is there a spot about them in Issue #14, or will that be in #15?Yup. The Prodigy and Strategy both have adjustable bias (to deal with the greater bias variances in KT88s, according to Mesa).
Mine sports a '71 SL tone stack. Very responsive and gainy. But it usually comes with a '68 SL tone stack which is based on the 5F6-A circuit. Yeah, if you didn't know. Marshall copied the Fender Bassman for most of it's amps. The Sunn Model T uses a variation of the 5F6-A circuit too.What's the EQ on that like?
Is there a spot about them in Issue #14, or will that be in #15?
That's Boot Soles amp's backside rather than mine, mine hasn't got those grass skirts, and they are gas mantles on the KT88's, old recording trick it stops the valve retainer springs making noise when things get loud.
SL stack?Mine sports a '71 SL tone stack. Very responsive and gainy. But it usually comes with a '68 SL tone stack which is based on the 5F6-A circuit. Yeah, if you didn't know. Marshall copied the Fender Bassman for most of it's amps. The Sunn Model T uses a variation of the 5F6-A circuit too.
What a gas, man!...they are gas mantles on the KT88's, old recording trick it stops the valve retainer springs making noise when things get loud.![]()
I am so lucky I never had to deal with those spring retainers. I've never owned a single amp that used them.That's Boot Soles amp's backside rather than mine, mine hasn't got those grass skirts, and they are gas mantles on the KT88's, old recording trick it stops the valve retainer springs making noise when things get loud.![]()
Super Lead, or SL for short. He can make a Hellhawk like a Super Bass instead though.SL stack?
Ah. I see.Super Lead, or SL for short. He can make a Hellhawk like a Super Bass instead though.
Type of tone I'm going for: Pretty clean for the most part although it would be nice to get some drive when I need it. I'm thinking the Reeves or Mesa are probably my best bets, but I've also been looking at a Morgan MP200. Anyone have experience with this amp? How would you compare it to the Reeves? I know the Reeves can stay really really really clean even at high volume levels, and I'm wondering if the Morgan is similar in this regard. I've also heard the Morgan has a ridiculously rich low end thanks to transformers that extend below audible frequencies - any comments on this?
Thanks, missed that before. Good to know.Go back and see my comment on the Morgan.
Sounds great, thanks for the clips! Very similar to the Reeves tone as you said. Do you know how much they are? Can't seem to find prices on their site.Here's some clips of the Science Mother clean. Played through a 410HLF and recorded with a stereo recorder I believe. The tone stack is very similar to the HiWatt/Reeves so this may help you. I have clips of it overdriven as well if you're interested.
No problem. He only gives out prices via e-mail, but the Mother runs 2K, which is his most expensive amp.Sounds great, thanks for the clips! Very similar to the Reeves tone as you said. Do you know how much they are? Can't seem to find prices on their site.
Any chance you could upload those overdriven clips of the Mother? And maybe a shot of the guts if you have one available?No problem. He only gives out prices via e-mail, but the Mother runs 2K, which is his most expensive amp.