svtb15
Inactive
- Mar 22, 2004
- 13,004
- 4,741
- Disclosures
- I play it all. Whatever works for the gig. Q+
Yeah i wouldnt bring my REDDI to a bar gig.. for the smoke alone that gets into everything and ruins it...waste of money to use it on a gig like that. just use my DI out of my amp or countryman.
And it is not worth using a device like that in an environment that no one can tell the difference between your 410 cab and the droning lowend of too loud guitars..
but theater gigs, recording gigs,church gigs if the PA is pro is where the difference it very apparent.
And it is not worth using a device like that in an environment that no one can tell the difference between your 410 cab and the droning lowend of too loud guitars..
but theater gigs, recording gigs,church gigs if the PA is pro is where the difference it very apparent.
I personally just use basses with tones that I like. I keep a $20 Whirlwind DI on my pedal board and leave the amp in my truck unless I absolutely, positively need it. Blasphemy? Here's my logic...
A. Most gigs I can load in/out in one trip.
B. Most gigs I am at the mercy of the sound guy and/or house PA anyway.
C. Reduced stage volume means better stage mixes, fewer headaches and less sonic hangover the next day.
D. The greatest bass tone in the world don't mean sh!t if it doesn't sit in the mix well. The sound guy can hear the mix in the room and adjust to suit. If you're trying to fill the room from the stage, he can't do anything with you.
E. Most of us are playing in crappy bars with absolutely no consideration given to acoustics, sound dampening, ideal listening environments, etc. Your tone will not be conveyed to the room anyway.
F. If someone spills a beer on my DI, I can buy 2 backups for the price of a tank of gas. If someone spills a beer on your REDDI...
I would say "this and this functions would make it perfect for onstage use!" and he'd respond "it is not meant for onstage use."