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Am I missing something

Recently got a modern player jazz bass after only having played a P Bass before. It came with a volume knob for each pickup rather than a master volume and a blend pot. I knew this when I bought it but it didn't occur to me how inconvenient that would be. I can't just quickly turn one knob while playing to adjust the volume. I have to adjust two and try to get the blend that I want on the fly.

I have already ordered a blend pot and will install it ASAP.

My question is, does anyone prefer this two volume knob setup? Is there some advantage that I'm missing?
 
It is strange, isn't it? Most basses with more than one pickup either have a pickup pan/blend control, or a toggle switch to move between pickups/coils. The Jazz system has always been an oddity. Most people have everything full up for everyday use of a Jazz bass, but you can turn the front pickup off and halve the tone for a Jaco style back pickup sound and you can also just slightly back off one volume control to favour the other pickup more. It is inconvenient, especially for theatre work, or when you need to be ready to play fast. But Jazzes have always been that way.

Oddly enough, Fender have never adopted hum cancelling single coils, either. They just make them the way they did in 1960 when it comes to the passive basses.
 
I like the 3-knob arrangement on my Reverend Dub King: master volume, master tone, pan knob to blend the two pups in a continuous sweep (no pup selector switch). There's a soft detent halfway through the pan knob travel which provides an easy-to-feel reference point. Makes for a wide range of tones with the possibility of subtle blending.
 
I LOATHE 2T/2V, don't get it, can't understand why it's considered a good layout. Why adjust pickup blend with two knobs instead of one? Maybe I just missed something too, can somebody explain the advantage over a master volume/master tone/blend? If I bought another Jazz, that's the first thing I'd change. That's the one thing I never liked on my Rick 4001, although in that case it makes some sense if you are running stereo. I'm building one now, mulling over how to set up the electronics for master tone/volume/blend.
 
I LOATHE 2T/2V, don't get it, can't understand why it's considered a good layout. Why adjust pickup blend with two knobs instead of one? Maybe I just missed something too, can somebody explain the advantage over a master volume/master tone/blend? If I bought another Jazz, that's the first thing I'd change. That's the one thing I never liked on my Rick 4001, although in that case it makes some sense if you are running stereo. I'm building one now, mulling over how to set up the electronics for master tone/volume/blend.
Because you can get settings that you simply can't with a single volume and blend. That's important to some folks, others prefer single volume and blend. I go with whatever's on the bass I'm playing, since I have enough basses to have all sorts of different control setups. Learning the controls for a particular instrument is no different than learning the feel of the neck for that instrument. So I don't get too excited either way.
 
I really don't have a preference either way. I put a Marcus Retro in my MM5 and the pan works really well. My Alembic is 2 vol 2 filter with a pickup selector. This configuration works well for me too. I guess I'm more of a set it and forget guy when at a gig so the ability to do a quick tone change is not that important to me.

Bones
 
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Started playing on a P bass, so I was originally used to V/T

Got a J bass, and got used to being able to manipulate the 2 volumes pretty quickly, but rarely ever need to cut volume quick. Usually just a quick mute of the hands does the trick if that's the case.

Anything beyond 2 knobs is overkill in my world so I would never consider it. Most likely due to laziness or having grown up in the "plug and play" world of punk, but I have never been the type to micro manage tone via the pups.

I have always played with all pups on full blast, and get tone from my amp/pre-amps. On the bass itself I change the tone by playing in different areas with my fingers given the sound I want, so I have to have the pups all on in order to facilitate that.
 
There is an electrical difference which will cause a difference in sound. The blend pot adds another 250k or 500k ohm path to ground which will load the pickups more. The VBT system will be darker than VVT using the same parts.

How about VVT plus a mute toggle to short the output to ground? Then you can cut volume on the bass super fast without upsetting your tone.