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Ambient/Post-Rock/Textural bass playing thread

27538486[/URL], member: 37282"]So I'm starting to plan for my July cottage retreat. I'm wondering if any of you have wisdom for a travel setup. I'm not talking tiny for hotel rooms, but more like a table full of stuff you take in a car to a destination to really focus on for a chunk of time. In my case a month. A friend said "don't involve the computer much."
Any specific goals with the set up?
Requirements or space limitations?
Are you thinking more bass or synth?

But I might not be the one to give pointers on that, my setup is very minimalist.
very……
 
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Started work on a record with a violinist friend of mine. Recorded her playing for a couple hours, chopped up and manipulated in Logic, then loaded into M8 to make arrangements. Every sound is from her violin. She’ll eventually come back in for overdubs that actually sound like a violin

 
Any specific goals with the set up?
Requirements or space limitations?
Are you thinking more bass or synth?

Synth. I’ve been listening to a ton of Buchla Music Easel records and so decided to make a 1-synth record, sort of. I’ll have 30 days in the country. I’d like to try and play for an hour a day (give or take) record it all and then select the stuff I like. My wife will be doing some intense writing, but I think I need a break for writing.

I’m in love with the sound of my Majella Implexus so that’s the main sound maker.

I took my second stab today as I’m about to be on the road for 3 weeks and won’t have access to things until a few days before I go.

In addition to the Implexus, I set
up a Eurorack case with input for my Linnstrument, so I can play in real time. I also have my Five12 Vector Sequencer so I can sequence or switch between playing and sequencing. The case has a way to get audio into my iPad for recording, and two effects chains: a Serge Resonant EQ mk2 into a Belton Brick reverb which is capable of wicked feedback. I also have a Blukac Endless Processor which is a sort of infinite sustain effect.

I tried it today and everything works though like all Eurorack there’s a bit of a Rube Goldberg vibe to it.

Yesterday I tried something much simpler: the Oxi One sequencer into the Implexus. If the Oxi would do proper MIDI to CV from (a promised feature but not yet implemented fully). I could pull it off with maybe my Eventide H90 as an effect. Simpler for sure but I really want to be able to play as well as sequence.

Anyway, I’m less looking for advice on my specific setup than to learn from others’ experience going off somewhere and trying to make a record.
 
Synth. I’ve been listening to a ton of Buchla Music Easel records and so decided to make a 1-synth record, sort of. I’ll have 30 days in the country. I’d like to try and play for an hour a day (give or take) record it all and then select the stuff I like. My wife will be doing some intense writing, but I think I need a break for writing.

I’m in love with the sound of my Majella Implexus so that’s the main sound maker.

I took my second stab today as I’m about to be on the road for 3 weeks and won’t have access to things until a few days before I go.

In addition to the Implexus, I set
up a Eurorack case with input for my Linnstrument, so I can play in real time. I also have my Five12 Vector Sequencer so I can sequence or switch between playing and sequencing. The case has a way to get audio into my iPad for recording, and two effects chains: a Serge Resonant EQ mk2 into a Belton Brick reverb which is capable of wicked feedback. I also have a Blukac Endless Processor which is a sort of infinite sustain effect.

I tried it today and everything works though like all Eurorack there’s a bit of a Rube Goldberg vibe to it.

Yesterday I tried something much simpler: the Oxi One sequencer into the Implexus. If the Oxi would do proper MIDI to CV from (a promised feature but not yet implemented fully). I could pull it off with maybe my Eventide H90 as an effect. Simpler for sure but I really want to be able to play as well as sequence.

Anyway, I’m less looking for advice on my specific setup than to learn from others’ experience going off somewhere and trying to make a record.
Sounds exciting to me!
 
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So I'm starting to plan for my July cottage retreat. I'm wondering if any of you have wisdom for a travel setup. I'm not talking tiny for hotel rooms, but more like a table full of stuff you take in a car to a destination to really focus on for a chunk of time. In my case a month. A friend said "don't involve the computer much."

I usually bring a "synth kit" when I travel, consisting of a single Korg Volca, usually the Volca Bass, a handheld recorder, and a battery-powered delay pedal (lately the Zoom MS-60b multieffect), plus cables and headphones or earbuds. Whole thing fits into a lunchbox-sized case, and is battery-powered. The recorder allows multi-layering. I can set up on a picnic table in a park and record a track in an hour or two.

It is a bit limiting, and it sounds like you want something a tad bigger, maybe with wall power, but it works for me.
 
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I frickin’ like both, especially the first one you shared.
Keep ‘em coming, what are the next parts to be added, non processed violin?

Exactly! Once she’s lived with the tunes, she can come back in and record regular violin parts. Thanks for listening to it!
 
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All chopped and sliced with Logic in your case I guess?
Sound manipulation was done how?
Sequenced in M8 right?

Yeah, recorded her into Logic and did most of the chopping/fx in there. Other stuff in the M8 as well as all the sequencing/arranging. M8 is so dang cool for so many things and it’s so tiny it makes it easy to keep it in a backpack and use whenever I get a little down time
 
Crikey, I did see that!!!
I'm getting old...

It’s worth seeing again.
If I can clean enough out of the closets, there’s a distant chance I’d consider a custom short scale BN5, but for now I’m so happy with the regular scale that I don’t mind the struggle to get to the first 2-3 frets.
 

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