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Ambient/Post-Rock/Textural bass playing thread

Brain scratching and learning curving.

I had an idea to knock out a track or two using the PO32 as a drum machine and then sequence a hardware synth with Ableton.

There’s no way to sync the PO32 to Ableton, so I expected I’d need to sequence it and then snap the audio to the grid. That wasn’t too bad for the section of the song I tested.

Sequencing the Nyx was trickier than I expected. There’s some hardware latency to manage. There’s also a quirk where the first note of the sequence is always quiet relative to the other notes. I essentially had to “pre sequence” a copy of the pattern to get it to start with the right sound, and then chop the extra audio off the front end. Additionally, the midi notes were quantized on the grid, but the resulting audio drifted around a little. I’ll troubleshoot that tomorrow.

I’ve been spoiled with in-the-box synths and effects. I’m trying to make myself work with all pedal effects and hardware sounds on this. I can already tell the sound design is going to be more work than I expected. I’m hoping the Nyx and PO32 play nicely together. If not, I might bring in the Medusa, or I might use a sample-drum sound. If I go that route, I’ll save myself the PO32 timing and sync headaches.
 
Brain scratching and learning curving.

I had an idea to knock out a track or two using the PO32 as a drum machine and then sequence a hardware synth with Ableton.

There’s no way to sync the PO32 to Ableton, so I expected I’d need to sequence it and then snap the audio to the grid. That wasn’t too bad for the section of the song I tested.

Sequencing the Nyx was trickier than I expected. There’s some hardware latency to manage. There’s also a quirk where the first note of the sequence is always quiet relative to the other notes. I essentially had to “pre sequence” a copy of the pattern to get it to start with the right sound, and then chop the extra audio off the front end. Additionally, the midi notes were quantized on the grid, but the resulting audio drifted around a little. I’ll troubleshoot that tomorrow.

I’ve been spoiled with in-the-box synths and effects. I’m trying to make myself work with all pedal effects and hardware sounds on this. I can already tell the sound design is going to be more work than I expected. I’m hoping the Nyx and PO32 play nicely together. If not, I might bring in the Medusa, or I might use a sample-drum sound. If I go that route, I’ll save myself the PO32 timing and sync headaches.
We have it easy with "in the box" stuff.
Self imposed "limitations" inevitably invloves "creative" problem solving.
Atta boy keep it up!!!! (Just dump that PO32......hahaha)

Now go buy the erica synth bass thing module of doom.
;)
 
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I used a (presumably very early version of) that application extensively on my 2002 solo album. Incredibly creative/innovative user interface...but I can't swear the resulting sounds were appreciably different from stuff I was able to do with software that had a more straightforward UI, like CloudGenerator, ThOnk, Sound Sculptor II, or MAX.

But it would be interesting to see what Argeïphontes Lyre is up to these days, since like you I haven't opened that app in ages.
 
hi,

my guess is that i owe folks an apology. i made an offhand joke about modular being "trendy," which seemed to drive us down this road a bit.

i'm old enough to have seen bunch of different things (and taken part in or liked more than a few of them) that i've considered trendy. just chalk it up to an old curmudgeonly dude muttering to himself.

now get off my lawn.
Keep playing percussion on the back of your bass!!!

Now get off MY lawn.
 
I had an idea to knock out a track or two using the PO32 as a drum machine and then sequence a hardware synth with Ableton.

There’s no way to sync the PO32 to Ableton, so I expected I’d need to sequence it and then snap the audio to the grid. That wasn’t too bad for the section of the song I tested.

I haven't used any pocket operators, but I have a Nintendo DS with the Korg DS-10 and I've used it in various recordings. I just set the tempo to match the tempo on my DAW and pressed the play button on the DS at the right moment. If things start to go out of sync, I stop the DS and press play again on time.
 
Brain scratching and learning curving.

I had an idea to knock out a track or two using the PO32 as a drum machine and then sequence a hardware synth with Ableton.

There’s no way to sync the PO32 to Ableton, so I expected I’d need to sequence it and then snap the audio to the grid. That wasn’t too bad for the section of the song I tested.

Sequencing the Nyx was trickier than I expected. There’s some hardware latency to manage. There’s also a quirk where the first note of the sequence is always quiet relative to the other notes. I essentially had to “pre sequence” a copy of the pattern to get it to start with the right sound, and then chop the extra audio off the front end. Additionally, the midi notes were quantized on the grid, but the resulting audio drifted around a little. I’ll troubleshoot that tomorrow.

I’ve been spoiled with in-the-box synths and effects. I’m trying to make myself work with all pedal effects and hardware sounds on this. I can already tell the sound design is going to be more work than I expected. I’m hoping the Nyx and PO32 play nicely together. If not, I might bring in the Medusa, or I might use a sample-drum sound. If I go that route, I’ll save myself the PO32 timing and sync headaches.

Just did a run at playing the Medusa with the PO32. No sync other than a freehand start of the play buttons on each. Things lined up pretty well. The Medusa might get this gig.
 
Thanks I saw that. Maybe one day I’ll have something that big.
B668C952-78EA-4B2D-92E8-8E9F6D3E7585.jpeg
 
Just did a run at playing the Medusa with the PO32. No sync other than a freehand start of the play buttons on each. Things lined up pretty well. The Medusa might get this gig.
Welcome to the old school sample sync!!!!
I just love the way scratchy dusty samples weave and wobble in and out of sync.
Truly a lost art kept alive by few.
 

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