just, the pedal market is the *way* bigger market !
but they might have way higher margins with the eurorack.
yet, question is how much the smaller quantities do weigh here in.
malekko is another company that’s gone that route.
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just, the pedal market is the *way* bigger market !
but they might have way higher margins with the eurorack.
yet, question is how much the smaller quantities do weigh here in.
The Charlie Foxtrot has been on my "to try" list for quite a while.malekko is another company that’s gone that route.
The Charlie Foxtrot has been on my "to try" list for quite a while.
Discontinued and way overpriced now.
Well thanks.interesting. i decided to move mine. imo, the tensor can do a lot of the stiff, and is also more controllable and predictable. the exp pedal functionality is an added boost.
Well thanks.
That's one less thing to try. The Tensor is freakin awesome.
But I use it 99%of the time with my sampler.
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I really like how everyone uses that pedal sooooo differently.and i always use it to bring in little artifacts with the exp pedal. that 12-string thing i shared a while had a lot of that. all the little fluctuations were my brining rhe tensor while i was playing.
one of my fave things about it is getting it confused by putting a reverb and/or delay in front of it and feeding it repeats/reflections. little glitches.
Meant that in the very general terms.yeah. i haven’t even looked at it as a looper yet.
go figure.
i like it *way* better.I think it gels a little better than the previous version.
Thanks for listening! That's interesting, I did re-record the bass with a touch more gain on the Pork & Pickle and my Boss EQ in the signal chain, plus I put more work into the mix.i like it *way* better.
Dig it.
Not shure if it was me, my submixer running over some cheap DI-box which can overdrive ( i have that usually under control),......but your first version had (listening here) some unpleasant "attacky" sound to it. That made the Bass, iirc, sound harsh*, and was not a match. ( * just in its attack portion of the sound)
OK, I think I figured it out! The first video was definitely a demo - a couple of takes of the bass, knew it wasn't perfect, slapped the Sirin on there, quick mix down. Then, knowing it was far from perfect, I converted it to an mp3 on my old computer (11 year old Mac), and used that mp3 in iMovie for the video. The second one still not perfect, but for the extra effort I put into mixing it, I also forgot to convert it on my old computer (trying to save space on this current one, a MacBook Air from early 2020), so used the original WAV file for the video in iMovie - so the audio is that much better. Not 100% on this, but it seems like the likely reason the first video doesn't sound as good. Not sure if it's just because I used an mp3 or because the mp3 the old version of iTunes made is inferior - I should try and test that!i like it *way* better.
Dig it.
Not shure if it was me, my submixer running over some cheap DI-box which can overdrive ( i have that usually under control),......but your first version had (listening here) some unpleasant "attacky" sound to it. That made the Bass, iirc, sound harsh*, and was not a match. ( * just in its attack portion of the sound)
@Bob_RossI really like how everyone uses that pedal sooooo differently.
I get confused and lost too easily playing and using loopers.
May give it a try but I have a feeling it's going to be a train wreck as usual.
I can't even use a simple ditto live without making a fool of myself.
When I lived in the Pacific NW (US), I was in a community photographer group. My 8 year old daughter joined in, and my only rules were that she didn’t have to take photos like an adult, and that if it wasn’t fun for her she didn’t have to go. With her smaller stature and open mind, she took photos that adults wouldn’t take, and were often well composed and fun. So, reading this, and knowing my own lack of looper success, I think it’s often because the 12 year old is *playing* music, and I am *making* music.If it's any consolation, I've heard 12-year-olds who can do the Build A Self-Accompanying Pop Tune In Real-Time With Nothing But A Ditto & A Guitar better than I will ever be able to. And believe me, it's not for lack of trying.
If it's any consolation, I've heard 12-year-olds who can do the Build A Self-Accompanying Pop Tune In Real-Time With Nothing But A Ditto & A Guitar better than I will ever be able to. And believe me, it's not for lack of trying.
tbh, the self-accompanying pop song style of looping is absolutely my least favorite style of looping.
(sorry if this offends)
So I took a chance on a 1010 Bluebox as a mixer/recorder/hub and it is exceeding my expectations