Balanced Direct Out that's unaffected by Master volume.
Tuner out that works when amp is muted.
Tuner out that works when amp is muted.
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...basses don't have speakon jacks
Well, crap. I guess I know what I need to do!
Said "Agree with all except the 1/4" input" when I read it.Agree with all except the 1/4".
Just need TWO speakon's.
Of course I bought the Mesa D800 that has all these features...
Hence this other poster's response.How are you going to get signal from your bass to the amp without a 1/4" input?
Not what you said in the original post. Said "input."are you trying to be funny? read the post that was quoted.
"-combo output jacks (speakon and 1/4")"
XDHe went back and edited his post now that he knows the difference between in and out.
Said "Agree with all except the 1/4" input" when I read it.
Hence this other poster's response.
Not what you said in the original post. Said "input."
There is no reason whatsoever for a speakon input jack. Basses don't have speakon jacks, and plugging a cable in from another amp's output is a terrible idea.
XD
As an electric bass player I was actually introduced to the value of HPF's by an upright player after I commented on how much I liked his tone. Thankfully he was wiling to share one of his secret weapons.I find that most players using an amp on an upright gig find a high pass filter a very important feature.
To be able to adjust the center freq of a band you're trying to boost or cut. I've got a hankering for one of these ... parametric EQ on three bands (my Shuttle 6.0 only sweeps the mids). I like it because not only can you zero in on the center freq, but can adjust the Q (the band width of the filter) as well. My BIG acoustic basses can get some hard to tame wolf tones in the C#-F area (depending on the stage).I've never understood this term..."sweepable mids" What exactly does that mean to me and why is it so beneficial? Inquiring minds want to know.