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I really wonder where the magic of this amp comes in? I feel like you could do a number of things with multiple B100rs. But is the secret in the tone circuits or the cab? I think I may want to grab another and strip the chassis from the cab and use as an extension - I know some here have done that.
Another option/idea is to strip it and make it part of a PF350 fliptop. I really wonder how it would sound. Maybe just get one of the new PF115 cabs and see what it would add? I'm saying this because my PF350 and (2)210avs have been sort of disappointing me lately. I don't hate the rig- but I'd almost rather lug the B100R down 3 flights of stairs and across my icy driveway.
In what way has the PF-350 and 2X210AVs been disappointing you?
I'm surprised people can play live shows with the B-100r. I wouldnt think there would be enough volume.
Well - overall I like the tone and volume. But I find that it lacks some "boom" it's very good in the mids and maybe a little too harsh on the highs. --Not complaining per se - but if I could somehow beef up a B100R rig (double it up/extension cab) -I'd be very very pleased.
The B100R certainly isn't a powerhouse, but will keep up with 2 guitars, keyboard, and decently loud drummer in a small-medium sized room. I was surprised too. But I lent mine to a buddy of mine who runs an open mic/coverband kind of show once a month. And I stood back - probably 30 or 40 feet and the sound of the B100R was very articulate and sat well in the mix. Mind you - these guys aren't 20 year old metal heads or anything - they set their levels properly and leave them. I will say with 100% certainty that the amp would not have lasted a practice in my old hard rock/alt rock band.
Thanks for the clarification. I ask because I have been saving my pennies for a small rig for some time. The PF350 with the 2 210AVs was at the top of my list for portability. It's this way even with the bass cranked? In the past I used an Eden WT400 with a single Ampeg 210he, but you know that cab is ported. It was always boomy enough, and I even liked the clear punch the small cab gave me. I wonder if it's the lack of ports you don't like. I was excited that a rig that would be so wonderfully light and 350 watts, but this makes me wonder if it may not be the best choice.
There is a B-100R at my drummers house we use for rehearsal, and man I have fallen in LOVE with the tone. Granted we practice with only a snare and a hi hat and him stomping the floor, no PA, and three acoustic guitars. This amp will not be available to me for when we finally play live and it's low wattage makes me wary of actually buying one. We play mainly Beatles-esque stuff and in small to medium venues. I expect crowds of 100-200 people tops. But if we fins ourselves at a larger show, I would hate it if the B-100R couldn't hang.
For that reason I have considered:
PF-350 + PF115he (which is only 250 watts so still a little wary)
Or a PF-800 with a PF-115LF (400 watts, maybe 15 pounds heavier all in all, but could handle any show I do)
But dang, I love the B-100R!
Can NOT beat the portability of the 210s! If you CRANK the bass you get good useable low end, but I feel like it muddies the higher frequencies.
If you were considering the 350- I would personally suggest a portaflex cab - but as always, YMMV. I can see the 210avs handling your Beatles style quite nicely.
I just bought a second 100r to leave at our rehearsal space. You can't beat the price for one of the best amps around.
As for the worry about volume; I play in a 60s Beatle-esque type band too. Never had a problem. You'll have PA support when playing 100-200 person size venues. I get nothing but complaints on my tone when the sound guy DIs out of the line out of the amp.
I just bought a second 100r to leave at our rehearsal space. You can't beat the price for one of the best amps around.
As for the worry about volume; I play in a 60s Beatle-esque type band too. Never had a problem. You'll have PA support when playing 100-200 person size venues. I get nothing but complaints on my tone when the sound guy DIs out of the line out of the amp.
I just bought a second 100r to leave at our rehearsal space. You can't beat the price for one of the best amps around.
As for the worry about volume; I play in a 60s Beatle-esque type band too. Never had a problem. You'll have PA support when playing 100-200 person size venues. I get nothing but complaints on my tone when the sound guy DIs out of the line out of the amp.