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Please remove all those pedals, and re-take the photo.
It just doesn't look right with all that junk sitting on it.
Bah...pedals rule.Please remove all those pedals, and re-take the photo.
It just doesn't look right with all that junk sitting on it.
Bah...pedals rule.
You're better off with the B100R. There were rattling issues with the B200R.
The B100R is loud enough, and you're not going to miss that tube in the preamp.
Please remove all those pedals, and re-take the photo.
It just doesn't look right with all that junk sitting on it.
I'm a little late to this party but thought that I would chime in with some useful info in case someone else comes across this thread later.
I have several B-15's, an early 70's SVT, and an SVT-VR with Heritage 810 cabs to compare my baby Ampegs to.
I have a B-100R, had a B-200R (sold it 2 weeks ago), and a Micro-VR stack that JimmyM's comments convinced me to buy.
All in the same room providing a level playing field.
I preferred the tightness and the overall tone of the B-100R to the volume capabilities of the B-200R and found the 100R to sound the most like a 60's B-15. The 200R (which really is excellent) was its own sound altogether.
The Micro-VR really does sound like a 1/4 slice of a full-size vintage SVT rig. I was astounded at what that little guy can do (just like I was by the 100R when I first got that).
I can't imagine not having them both but if I had to pick only one, I would go for the Micro-VR as I play classic rock and that favors the SVT sound. For blues and funk, the B-100R all the way. The both FLATTEN any of the other more compact options out there and even some of the less compact (read far more expensive) options.
They are cheap enough to justify owning both a B-100R ($300 used) and a Micro-VR ($450-600 depending on new or used) for two distinctly different sounds with the ultimate winner being based on playing style and preference.
Here is a useful video if you are shooting for B-15 tone from your B-100R:
Enjoy your new B-100R!