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Ampeg Isovent - Jack Plate Circuit Board.

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Here is the latest on the Ampeg Isovent.

All if the old wiring it out, and the new wiring is going in, but we are waiting for certain parts to come in next week, so it will be the middle of next week before we know anything.

In the meantime I tested and old Ampeg V4B folded horn with my fretless six string bass going through an old Ampeg 2UR amplifier.

The speaker sounded great, with bass rolled in I could get a food low driving bottom end, but C3 in the middle of the neck was slightly intensified. Overall the Ampeg V4B foldes horn sounded good.

If I werent fancially tied up with something right now I would conaider buying the older V4B folded horn.


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Here is the latest on the Ampeg Isovent.

All if the old wiring it out, and the new wiring is going in, but we are waiting for certain parts to come in next week, so it will be the middle of next week before we know anything.
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what parts are being waited on? this vintage of cab used 1/4" connectors, no? home boy doesn't have one lying around?
 
Certainly there is a lot of measurements made, but from what I have seen on the internet speaker sites, there's no shortage of bad data, improperly acquired data and completely illogical conclusions made.

It's like developing perpetual motion machines, the less you understand, the easier it is to become a "believer"
I develop measurement gear for my day job, and one lesson I've learned is that making a measurement is 1% of the work, while knowing that it's really measuring what you think it's measuring is 99%. There are a lot of pitfalls when making an audio measurement, especially when you're using a DIY setup to measure a DIY design. How do you know what's real?

Not to mention, that the signal from the speaker terminals of an amp can toast your computer, even if the volume is turned all the way down. That happened to me once.

It may very well be that the learning experience of having to understand the basics of signal measurement is a worthy pursuit in its own right, if it can be done safely.
 
I develop measurement gear for my day job, and one lesson I've learned is that making a measurement is 1% of the work, while knowing that it's really measuring what you think it's measuring is 99%. There are a lot of pitfalls when making an audio measurement, especially when you're using a DIY setup to measure a DIY design. How do you know what's real?

Not to mention, that the signal from the speaker terminals of an amp can toast your computer, even if the volume is turned all the way down. That happened to me once.

It may very well be that the learning experience of having to understand the basics of signal measurement is a worthy pursuit in its own right, if it can be done safely.
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What did you think of the V4B folded horn?

Do you remember?

Have you tried the Isovent?

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I've also played through that Ampeg cabinet. Up close, it's very hard to hear it - so the tendency is to turn it up louder. Then everyone 50-100 feet out (and beyond to a degree) will feel a bit sick from the SPL because it takes a long room to carry a cabinet like that and because of the amount of power you have to push through it to hear anything up close. I don't remember it having much really low bass. It was mostly upper-bass and had almost no definition (ie, no sound above about 700Hz)...

That, by the way, is a 250 pound cabinet. Or pretty close to it.
You could get casters for it, but the OEM casters were BARELY sufficient.

It's almost as if you've scavenged my really old rehearsal spaces ... bringing back lots of memories.

Does that one have the impedance switch?
 
I've also played through that Ampeg cabinet. Up close, it's very hard to hear it - so the tendency is to turn it up louder. Then everyone 50-100 feet out (and beyond to a degree) will feel a bit sick from the SPL because it takes a long room to carry a cabinet like that and because of the amount of power you have to push through it to hear anything up close. I don't remember it having much really low bass. It was mostly upper-bass and had almost no definition (ie, no sound above about 700Hz)...

It's almost as if you've scavenged my really old rehearsal spaces ... bringing back lots of memories.

Does that one have the impedance switch?

I had a similar experience with an Acoustic 360 the one time I played through one back in '84. Could barely hear myself on stage at all, but audience members suffered concussions from the bass. (I only slightly exaggerate, but the sound guy was saying through the talkback, "turn that down, you're killing us out here!") The experience kind of soured me on that style cab. I'm sure they have their place, but that place isn't part of my rig.
 
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