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Ampeg SCR-DI Owners

I love the sound of this pedal but i'm still trying to get around the clipping issue. It clips with my (passive) Hofner 500/1 and my Classic Stingray. I put a compressor in front of it but when I hit hard on the lower notes, no matter what I do it clips. The -15DB jumper kills the sound completely so no option. I really want to keep using it but at this moment I'm still in doubt... What could be a good alternative? VT Bass DI? I'm looking for a clean Ampeg sound.
 
Sold mine. The Vox Amplugs I have are simply better headphone amps and I wasn't a fan of the Scrambler. I did like the plane Jane EQ section and the HI and LO switches were very nice to have but at the end of the day, I got it to use mostly as a home practice tool and it didn't exactly excel at that for my needs. I might grab the analog preamp down the road just to have on my board though, as I really did like the no frills preamp aspect of it. It also didn't do as good a job through my FX return as I'd hoped, but that's neither here nor there. Overall it's a nice unit for folks who want everything it has. I was hoping I'd be that person. Onward and upward...MXR M81 pre en route. I tried!
 
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I like it, sounds good but I definitely don't like the OD side unless it's very low. It has the ampeg sound and I like that. Smokes the Vt for this reason. I only use it for learning new songs off my iPod and I have it as a back up for my live rig. The aux/headphone jack is perfect.
 
I got one today, been playing a bit with it.
First good surprise, the second you turn the EQ on it sounds like Ampeg.
A comforting, slightly compressed, thick and warm tone with a bite.
I tried 3 different basses and got no unwanted clipping.
Ultra hi/low are a bit cliché but they're the same on real Ampeg.
I know how to use them, ultra low for single coils, ultra high with aging strings.
The EQ is ok, lows get just muddy enough, I'd prefer separate hi and lo mids but the knobs sculpts the sound well, highs aren't aggressive but just a tad hissy at the end of the course.
It feels home.

The Scrambler is very aggressive, I'd call it a distorsion rather than an overdrive. It's not very good at getting crunchy tones, rather violent and rich which makes the blend very welcome.
It has that tension in the low mids, a bit reminiscent of a screaming SVT that brings out all subtleties in your playing. The kind of tone that should work perfectly within a band.
Fortunately the Scrambler comes before the master level of the EQ that doesn't affect gain.

It shines through headphones which means it will also record well. I'll try it in real conditions later this week.

The line in is a good idea but making it only come through phones is bad. At the very least they should have put a jumper so you'd get the choice of letting it flow through your amp.
It would allow it to be used as an effect loop between Through and Line in, emergency mixer for 2 instruments or punching a synth/sampler into your amp.
 
I got one today, been playing a bit with it.
First good surprise, the second you turn the EQ on it sounds like Ampeg.
A comforting, slightly compressed, thick and warm tone with a bite.
I tried 3 different basses and got no unwanted clipping.
Ultra hi/low are a bit cliché but they're the same on real Ampeg.
I know how to use them, ultra low for single coils, ultra high with aging strings.
The EQ is ok, lows get just muddy enough, I'd prefer separate hi and lo mids but the knobs sculpts the sound well, highs aren't aggressive but just a tad hissy at the end of the course.
It feels home.

The Scrambler is very aggressive, I'd call it a distorsion rather than an overdrive. It's not very good at getting crunchy tones, rather violent and rich which makes the blend very welcome.
It has that tension in the low mids, a bit reminiscent of a screaming SVT that brings out all subtleties in your playing. The kind of tone that should work perfectly within a band.
Fortunately the Scrambler comes before the master level of the EQ that doesn't affect gain.

It shines through headphones which means it will also record well. I'll try it in real conditions later this week.

The line in is a good idea but making it only come through phones is bad. At the very least they should have put a jumper so you'd get the choice of letting it flow through your amp.
It would allow it to be used as an effect loop between Through and Line in, emergency mixer for 2 instruments or punching a synth/sampler into your amp.
Good review. Some folks, however, have argued that they don't want the line in to go to the board or amp. I think you could make an argument in your favor, though.
 
Ok, after 2 rehearsals with 2 different bands, one straight into the PA and the other with a combo and jazz rock clean style, I decide that it's a keeper.
I love the creamy tone. The lack of LS simul isn't an issue at all because the color from the preamp is enough to tame the tone from the bass.
Finally, the Scrambler is just what I like, unity gain is easy to obtain and it sits fine in a mix without getting lost. Good job Ampeg.
 
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I like it so far, and only thing I realise is missing, is an effect send/return to insert my looper after the distortion, because you can't record a clean loop then solo distorted over it.

I also had an issue with the compressor level, as someone mentionned above, that's generating clipping. So I have to dial it down.

Sold mine. The Vox Amplugs I have are simply better headphone amps and I wasn't a fan of the Scrambler.

I really feel quite the opposite here, the sound is so much better with the Ampeg SCR-DI, and I now will use the Vox Amplug only if I need to travel light.
 
Can't you use the Thru jack to rig your looper up to it?

Then you could not hear the loop through the headphone out.

You could do that with EBS microbass but it doesn't have an aux in.
The Palmer pocket bass have headphone out, aux in, and effect loop, but the sound quality seems not so good from review I saw online.
 
The effect loop is really a big miss.
It would have been perfect with a effect loop post eq, because without it you can't use the DI or the headphone if you want to compress post eq.

I also have some distortion issues with the compressor before the scr-di.
 
I love the scr. I bought the separate pedals for my live rig as I got tired of the back and forth. I have to things to say about the pedals
1) if I run the classic before the scrambler in the clain, it cuts the level( distortion) of the scrambler. If I run the scrambler first, it's good. Very strange to me. Id expect to use the preamp first.
2) having the treble and volume on the scrambler is a great improvement. On the Di, when I engage the scrambler it cuts some bass and the volume as well. Using the pedals solves this.

One other thing. I will run the di into the front of my svt CL I always have the ultra Lo on for the pedal and the amp. Engaging the Di, I get a much more noticeable scoop using the pedal. Again strange.
Lookoing forward to getting the new ampeg chorus, just cuz
 
I love the scr. I bought the separate pedals for my live rig as I got tired of the back and forth. I have to things to say about the pedals
1) if I run the classic before the scrambler in the clain, it cuts the level( distortion) of the scrambler. If I run the scrambler first, it's good. Very strange to me. Id expect to use the preamp first.
2) having the treble and volume on the scrambler is a great improvement. On the Di, when I engage the scrambler it cuts some bass and the volume as well. Using the pedals solves this.

One other thing. I will run the di into the front of my svt CL I always have the ultra Lo on for the pedal and the amp. Engaging the Di, I get a much more noticeable scoop using the pedal. Again strange.
Lookoing forward to getting the new ampeg chorus, just cuz
Ya, I prefer the Scrambler pedal vs the one in the SCR-DI for that reason, too.
 
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