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Ampeg Vietnamese Cabs - Run away!

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Similar experience recently:

I'm walking through the "bass section" of my local GC and what do my wandering eyes find, but a blast from the past!! There it is...over in the corner!! yes!! it is!! There (are my eyes deceiving me!?!?!) is the logo I have hoped to see born again!!! ACOUSTIC!!!

A small practice amp...yet, YES!!! It is ACOUSTIC!!! I pick the small amp up and examine it....could it be that they are once again making the Holy Grail of all bass amps!?!?!

Then I see the small sticker on back.....


Made in China


So much for dreams.............


O-<

It's discussed here:
http://www.talkbass.com/forum/showthread.php?t=376710

Late in the thread there's discussion about there being two new Acoustic lines on the way, one made overseas but the other being high-end, USA-made, etc. Just an fyi, in case you missed that thread ...

Cheers
 
I guess timing is everything. I'm waiting for my SVT-VR to arrive. Should be any day now. I don't know if its coming from Viet Nam or China.

Every single manufacturer has had quality problems. Especially when the whole process is upset and moved to another country. It takes time to get it right. So I'm thinking that thats why I've waited for a month so far....... they're getting it right.......

I'm trying to be positive here. :hiding:

I'll let you know when it arrives.

W
 
You know that little electronic box with a keyboard and mouse that holds many details of your personal life that you probably will not want anyone to know?

Check where it is made.

I am, indeed, well aware of that. This was not, nor should it be considered a slam on Chineese products. This was merely an attempt to point out that Ampeg is not the only manufacturer to move production overseas.

I use Nikon Cameras exclusively. Once made in China - now made in Viet-Nam. See...it's not just amps. That will probably get me banned....
 
I'll add this, trying to keep it real-

Ampeg Products are made in.........

A Factory.

Just like always.

And I think the relevant point is- IF the design of both cabinets and heads HAS NOT changed, then the question is:

Are the components the same? Do they use the same speakers as before? IF the amps use different components than before- pots, capacitors, resistors, transformers...IF they do, how does that change the product, if at all?

How about the chassis, or the faceplates, or the knobs? Any difference? Would it, or does it matter, related to performance??

Now there's been discussion that the tolex tears, and the cabinet construction is different (Which Mr. Tiers adressed). and we just heard "testimony" about a speaker coming apart.

IF that is the norm from product from the "new factory"
than LOUD has shot itself in the foot, because there's more choice in gear than ever, and players are becoming more discerning.
IF that's the case.

Pick ANY brand, and they'll be someone who can report problems. Just recently, Eden. EA, Mesa, and even MarkBass(!) have had owners post about their issues.

But is it the norm? I don't think that can be said about the "new" Ampeg yet, if at all. I really don't.

Let me re-tool the question a little bit...
If someone PLAYS the rig, and likes what it does, and USES the rig without undue problems IF there's no indication of where the factory is, then what? Still good gear?

It seems that some players really want Ampeg to crash and burn, I'm not nearly convinced that it deserves to.

I hope I'm right, for the sake of a great name in Bass gear!
 
I'll add this, trying to keep it real-

If you REALLY want to keep it real, you're going to need to take off those rose-colored glasses and start owning up to the reality of the situation concerning "Ampeg."

Ampeg Products are made in.........

A Factory.

Just like always.

WRONG. Ampeg products USED to be made in an AMPEG factory that made only Ampeg or SLM MI products. Now they are being contract produced in a factory that literally could have been making toasters the previous week and might be making DVD players the next. There is ZERO in-house R'n'D, everything is made to 'contract spec,' not 'customer spec.' Under SLM, if a product defect was discovered, or a model was upgraded, changes to existing models could be made much faster and cheaper. The factory producing the amps now is only concerned with filling Loud's order, not in improving or supporting the products.

And I think the relevant point is- IF the design of both cabinets and heads HAS NOT changed, then the question is:

Are the components the same? Do they use the same speakers as before? IF the amps use different components than before- pots, capacitors, resistors, transformers...IF they do, how does that change the product, if at all?

Jerrold Tiers and others here have reported that designs AND materials appear to have been altered to cut parts cost. The obvious implication is that the products are now inferior; they're less reiliable and do not sounds as good. These are common complaints.

IF that is the norm from product from the "new factory"
than LOUD has shot itself in the foot, because there's more choice in gear than ever, and players are becoming more discerning.
IF that's the case.

If Loud's handling of the Mackie brand is any indication, get ready for that.

Pick ANY brand, and they'll be someone who can report problems. Just recently, Eden. EA, Mesa, and even MarkBass(!) have had owners post about their issues.

No one disputes that. The reason that such a big deal is being made about failures is that the relative percentage of failures to satisfied customers seems to have risen dramatically.

But is it the norm? I don't think that can be said about the "new" Ampeg yet, if at all. I really don't.

...then your wishful thinking has deluded your reasoning. I don't WANT Ampeg to suck just because I disagree with their owners, but the fact that it certainly appears that DO suck shouldn't be ignored or discounted. It's amazing the amount of excuses "international Ampeg" defenders will make for them, then cite free market practices to justify themselves while ignoring the hard fact that if one reduces the demand for one's product, it doesn't matter how much money is saved in production.

Let me re-tool the question a little bit...
If someone PLAYS the rig, and likes what it does, and USES the rig without undue problems IF there's no indication of where the factory is, then what? Still good gear?

No one has said otherwise. And further to that, the fact that people have continued to try/buy Ampeg gear and still been dissatisfied with it shows an open-minded approach that you seem to think is lacking. They're griping because they invested their money into a name that previously was equated with a certain level of quality that is no longer present, not that they wish Ampeg ill because of its owners' business decisions.
 
Wow. Okay. Just finished reading it all. Jerrold's account on the cab construction was quite intriguing indeed.

I used to own several Ampeg products (all SLM). I had an SVT-CL, a V4-B and the 465, 865, 410, 1510 and 810 cabs. The only real cab issues I ever had were with the 1510 and that was only because I got it used. And boy was it used! It looked like it had been to Vietnam and back without a cover for 10 years straight (which probably wasn't too far from the truth). Beneath its balding, shaggy exterior it possessed a pretty decent sound. It sounded great at rehearsals with my SWR Baby Blue II hooked up to it but struggled on gigs with larger amps. I had to replace the 10" driver eventually but amazingly the other drivers were never replaced.

Thankfully my great local tech was SLM certified and got me up and running with a simple order of an OEM replacement driver for my 1510HE. Some time before I found the 1510 used, I bought the SVT-CL/810 stack. I took the head in to have my tech give it a once over and make sure everything was in its place before I took it on the road for three weeks. Robert called me later that day to tell me that he was somewhat shocked to find scores of cold solder joints throughout the unit. He was surprised it was even powering up. Having an intimate knowledge of their products, and having worked on Ampegs for many years, Robert suspected this was the result of the new wave-soldering technique used to speed up production lines. He said that to make everything right he'd have to spend quite a while re-soldering joints and making sure they weren't only just adequate but beefed up some to handle the rigors of the road. Because the amp had not (yet) actually failed, I was not covered under warranty but it certainly felt good knowing that the amp was reliable and trustworthy. So after the initially expensive labor charges, I used the SVT quite happily for a few more years before eventually selling it and all my other Ampeg stuff for reasons including weight, size and sound. (Even though Robert tweaked the EQ centers to more useful frequencies, I still could never get used to the midrange 'selector' on the Ampegs. I always felt it got in the way and it bugged me that it felt like there was no real 'flat' setting. But that's beside the point.)

That brings us to today's product. While my SLM head was a little rough out of the gate, I made a lot of good music with it and it brought me much happiness, some income and a bad back! From what I have personally seen in stores around here plus what I have read so far regarding their newest products and business practices, I am pretty sure I'll never be buying new Ampeg again. Older SLM and earlier? Maybe. I'd still like to get an old B-15. As another poster pointed out, there are now more choices than ever and I'm all about it. I love features but I absolutely have to have rock-solid performance. If that ain't happenin' then nothing's happenin' and that's not good.

This whole thing about LOUD not providing parts or service is just unbelievable. Sure your tech can possibly source them him/herself but this "drop" is eerily similar to the kind of treatment SWR owners (myself included) were subjected to post-Fender takeover. This is retrograde to the direction they/we should be going I think. A truly great bass company deserving of Ampeg's reputation should be flying out technicians on helicopters to remote locations in the world to replace any part in the field. Surely this is an exaggeration but that would certainly be the kind of posture I would have if I owned my own amp company. I mean service and parts support is like running water. It's the most basic ****. No matter how flawless your manufacturing is, there will still be failures whether as a result of a defect or during the course of normal use. How would Mercedes-Benz or Ferrari (or any automobile manufacturer for that matter) fare if they stopped providing parts? **** is silly! :rollno:

Let us see how this new Ampeg stuff stacks up!
 
Its all about profits,
why make it in America for $800 bucks built by employees making $10.40 an hour with paid benefits, when you can make it for $150 dollars with employees making $85 cents an hour..

I personally wouldnt touch any chinese ampeg with a ten foot pole, unless they were selling SVT's for $500 bucks.

Keeping the heads the same price is just greedy if you ask me.
$1600 bucks is out of control if you ask me for a chinese made head. they want it both ways and make 10X markup.
Ampeg seems to be coming off a little arrogant about this whole deal too, dont you think? atleast it came acrossed that way from that PR guys letter..

I wouldnt buy anything ampeg,make them wake up...
(except ampeg svx software)
and continue going with vintage acoustic gear since it has tons of power and is still affordable.
 
And you have a Bill of Materials to back that up?

You know for a fact that they no longer use USA-built drivers, and that ALL electronic components in the circuits used, as well as every other piece in the construction is supplied from an offshore source.

Somehow I doubt that you know that.

If you don't like Ampeg gear for sound or for whatever reason, that is most definitely your right, but I don't think you should post what you can't confirm....

I can confirm that all the products are assembled overseas, or were when we-all left. The US factory closed quite some time ago, and the building is already sold and occupied by another company.

As far as I know, the drivers are now made by "Eminence China", for instance. But I would suspect they are an above-average chinese source........

There ARE a few things which are still subcontracted in the US, as I recently discovered. Mostly specialty high-tech stuff (subassemblies) which was difficult to transfer since they didn't think about it before chasing us out the door.

I DO KNOW that a special effort was made to approve ONLY domestic chinese parts for all new products.

Now, before this is a thread-closer, let me say that the displaced other manufacturers were in Germany, Austria, the US, France, the UK, Brazil, and elsewhere. Clearly NOT just the US.

Does that mean junk? NO. But it "opens the possibility" that the new parts may not have been (were not) tested as well. They certainly will "have no quality history" similar to the prior vendors.

Again, that does not GUARANTEE bad quality. But it DOES suggest that there may be surprises lurking for LOUD and thus for LOUD's customers.

Has LOUD managed to produce BA300 and BA600 units? Last I checked, they had not, and the above might account for some of it.

That alone wouldn't make my buying decision, but that along with a bad performance history, if it develops, would.
 
Thanks, Jerrold; Thanks Psycho (hey, relax!:D)

No rose-colored glasses for me about Ampeg, just trying to be realistic and hoping for the best.
My point was- How do the components differ from when the product was built at SLM?

There were a few posters above who mentioned Ampeg's "faltering"
quality, but they concerned SLM-era product!
That's another issue entirely...

The OP started off with an opinion that the cabinet wood(s) itself was inferior quality; different. You addressed that.

I asked about a bill of materials, not the fact that the operation ("Factory") is different- That's a done deal.

But are the elements the same? I don't think the designs of the amps and cabs have changed, so if the bill of materials remains comparable (electronics, etc.) then the issues are assembly and Q/C. Valid issues absolutely, but adressed with too much drama, and not proven to me beyond doubt ...Yet.

If it's true, then it's true. Jerrold, you brought up in another thread, at another time (sounds like Star Wars!) how the crew at SLM were "players" and using not only test equipment, but their ears and their feel for the products, they maintained QC. I thought that was awesome, and no doubt that it's probably lost at the new "factory", unless they employ a dedicated and knowledgeable Player/QC person. I doubt that, realistically, the final assembly/performance tests are most likely done by rote, or machine, whatever.
The analogy to the amps being built alongside toasters so to speak was a little harsh and extreme. Certainly a manufacturing engineer would address the dfferences required in set up, assembly, and so on. But then again- Maybe we'll now be able to pop an English Muffin into our SVT's, and it would give the term "fridge" entirely new meanings!:D
Okay, I've lightened up.... now

The point is.... Is the bulk of product coming in going to fail, will tolex peel away, get crushed when you touch it, explode, whatever...?

OR- is it going to be put together using same-spec components as before, with an appropriate amount of QC,
and result in a product that performs and sounds like an Ampeg is expected to.

I hope so, because I'm a BIG fan of the brand and the sound.
And while I could just chill and use my great SLM product
I'd like to see the brand remain. The newer 6 and 8 PROS really interest me; and if someone wants an SVT, I hope it's there for them.

Doesn't mean I blindly endorse them. I'm just skeptical about blanket statements I've heard- "A friend told me that...."
etc.And IF several dozen people posted that they had some sort of problem with their gear? That could absolutely be duplicated
from any brand- take your pick.

Some people have no reason for dissatisfaction, other than emotion,which is cool, of course-But the Moderators have stated that is not an issue for discussion, and I totally agree.

It's about the gear. Technically, how it differs, if it does.
Jerrold, you've provided as much insight as possible, couldn't be a truer look unless someone from LOUD/Ampeg contributed.
Your info about Eminence/China drivers for instance was a perfect example of fact. Now, the question is, how do those drivers differ from before, and really- Now let's find out what drivers are in every piece of gear on the market, and where they're from before we beat down on Ampeg alone.

I was not/am not aware of the parts and service issue, and warranty. If it's a problem-it's a problem. The ONE time I needed service, there was perfect and rapid synchronicity between SLM and my local Ampeg warranty facility. (wasn't under warranty, btw). I spoke with SLM, they took care of business as did the local tech. I hope that gels with LOUD parts and service-wise.

I hope they get it right- Like I say, the product has a great legacy; and already some players have closed the door on Ampeg Product. My V4BH and SVT-48HE were bought in '02, built around then; and my SVT-15E and 3PRO
are from last year. All are from SLM, all are built perfectly IMO, and I could not be happier with how they sound. They're my bread and butter.

If Ampeg tanks, there's many choices available- I get a lot of pleasure from my Mesa, my Genz-Benz, and my Trace gear-
but nothing else sounds like Ampeg, and that's why I hope they get it right.
 
This has probably been talked about in another thread, but I'm not going to dig and try to find it.

Has anyone (honestly) A/B'd any Asian-made Ampeg gear alongside identical US-made gear??

Now, I'm not talking about build quality right now---I'm talking about actual, plain as day differences in sound, say, for example, between two SVT 4 Pros (one Asian, one American). Or between two SVT810E's.

Just curious.
 
Greed? Maybe.
I don't know the financials of SLM. I guess it may be safe to assume that if a Company is doing extremely well, no reason to sell. Unless the Powers-that-be want to retire and go fishing, or make toasters..:D No point in speculation.

LOUD undoubtedly bought the Ampeg/Crate et al line with the object of making money. You have to do that, or you don't stay in business.

I see your point. theoretically, if mfg. costs are lower, savings can be passed on to consumers. Or not. The litmus test of their pricing/distribution/business decisions will be their bottom line with the brand.
Our bottom line is how well the brand is built and whether it still sounds like Ampeg.

Without rushing to defend LOUD, the only point I can offer for consideration is how crazy it is to run a business... Any kind of business.
All elements considered in manufacturing, it's ridiculously hard to turn a profit, given taxes, import/export, market share, you name it. Sometimes I wonder how most businesses even survive.

I've toured, and getting an insight into the operations of that aspect, cost/profits etc- What an amazing insight!
All of a sudden, a $1500 gig turned into a $150 payout, after getting there, sleeping in a beautiful Holiday Inn, and having a delicious Waffle House breakfast.

I don't mean to ignore your meaning, but it just MAY not be ALL about greed. Gotta make a buck somewhere.

Talk to Bill Gates about lowering his prices too!:D
 
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