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Any advice for recording in a studio?

Just last week I was called in to do a bass line on a Christmas tune(Mary did you know). I was given 1 day notice. Learned the chord structure, and a couple nice fills the night before.

Every fill was axed, the producer had an idea what he wanted and pretty much asked me to play one track simple, a track with a lot of embellishments, a track with a lot of Mwah from the fretless and in a few spots he asked me to do a mix. He then cut and pasted together the bassline.

Of note, I brought a foundation fretless ( I haven't touched a fretless in years, spent a lot of time with it the night before), and a G&L L-2000. He wanted the fretless, dry, no pedals and had no interest in even hearing the G&L (nothing against the G&L, he just wanted fretless). Everything was recorded dry and direct. He also recorded the guitars dry. I had a ZOOM b3 with me, but when I walked in I assured the producer it was only for tuning if the studio didn't have a standard tuner for everyone to use... (They did and commented that they prefer everyone use the same tuner.)

IN the end, I had to relearn the bass after he cut and pasted it together.

What everyone else said about knowing the tune before you showed up is spot on. What should have been about 15 minute to 1/2 hour in the studio turned into a 1 1/2 hour session.
 
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Bring patience. Specially if your drummer insists on using his badly tuned drums. 2 hours to mic the drums and you will be the last and maybe you have 30 seconds, so tune the bass before they get to you, bring passive bass if possible. Do not be envious of the drummer, they won't just mic each drum but the wall and the floor and the top and bottom of the snare and even the front of the bass drum. If you are lucky you get a mic, only to find out they won't use that track.
 
My biggest question is this: Do you know what they want you to play?

If the answer is yes, just practice that incessantly with headphones. Record yourself, if you can, so you can find those clanky spots and fix them.

If the answer is no, then be prepared for the unexpected. Understand that they might not like what you lay down initially, and might ask you for something else that you'll have to make up on the fly. The worst that can happen (it's happened to me) is that they decide you're not the right player for the song. The key to studio work is having a thick skin.

But really, it's easier and a lot more fun if you know what your part is and you can just go in and nail it.
 
Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
Record your bass yourself. Get it right...perfect. dry. Straight DI. No plug ins. Dry. Put the waves on a USB. Bring them with you. Run them through whatever he wants you to play through. Or, just give them to him. Bass done.
 
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Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
Have the material down. Nothing frustrates people more than someone in the studio wasting time because they aren’t prepared. Should be able to nail every song in 2-3 takes. But you also don’t want to just play one take and settle for it unless it’s super good, I’ve made that mistake also. Where I finished tracking a full album and felt proud I finished in like 60 minutes and then months later listening to the finished product wishing I’d have fixed a few spots. As far as being prepared it’s good to record some rough demos before hand. If you don’t have any recording equipment you can literally use a video camera or even a cell phone and just try to find a decent spot in the room to put it. I’ve even done stuff like put a cell phone inside a sock lol. It’s not really about quality, more so just helps have the song forms down and gives the singer something to write to so you’re not wasting entire rehearsals playing The same songs over and over just so the singer can work on lyrics. My band currently uses zoom products for quick demos . I have the q8 I believe it’s called and our drummer has its little brother.

if you normally play standing, stand up while you track. This may sound odd but trust me. In fact really focus on the performance having the right vibe. A lot of players play with a lot of dynamic range and get in the studio and act like are walking on eggshells shells. This is why so much modern music sucks. Because it’s so robotic and lifeless. Try to capture the energy of the music. Don’t just run through the motions. Dance a little, headband if it’s heavy. Sounds stupid I know but a recording having the right energy makes a huge difference.

Establish a pattern in which the band members track. What I prefer is

1 final drums while bass and guitars simultaneously track stratch tracks. Scratch tracks don’t have to sound good. It’s more a reference for the drummer to track and to look back at any time during the tracking process. We typically just run bass and guitars direct for this using DIs and modelers so there is no worry of bleed into the drum mics. One studio I use has iso boxes in another room which also works nice.

2 drum editing /quantizing

3 track rhythm guitars

4 bass

5 lead guitars/keys and other layering

6 vocals.

I just find this order works best for what everyone wants to hear when they track. It’s good to do bass right after the rhythm guitar in order to make sure the bass, rythm guitars and drums mesh well together but before a bunch of additional layering because sometimes people go crazy layering guitar harmonies and keys and stuff and then it turns out those parts conflict with the bass line.

But keep in mind every band is a little different in what they want to hear. For example the rythm guitarist I play with likes to hear a click track when he tracks. I hate tracking with a click, it makes me want to play polka bass.
 
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Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
Beyond knowing your part and being able to play it cold, make sure all your gear works, and that your bass is intonated and doesn't have an inordinate amount of fret buzz.

If you've got a favorite pair of headphones that you are used to, bring them along. The studio may have better, but it may not.

...and stay hydrated.
 
If there are going to be charts of some sort, bring a pencil to make changes, corrections, notations, etc. Carl beat me to it, but headphones I was going to say. They usually have them but if you have some you like take them. Spare cables, strings, batteries, a tuner. If there are charts, you might even have a music stand in the car in case they don't have them--depends on what kind of studio it is, and maybe a stand light just in cased the lighting is bad.
 
Play what you came to record and what your asked to play. limit in between noodling. Time is money in a studio. Obviously don't be a stick in the mud but being the guy who gets his part laid down with as few interruptions as possible makes you a hero to the engineer. Bring water and snacks (seriously lol). Make sure your gear is functioning at its best and is ready to use at the drop of a hat.
 
Do what you're there to do -- play the bass.

Be flexible, nimble and adaptable.

Don't be an obstacle.

Smile and have fun.

Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
 
practice your parts before you go in, and be ready to play them over and over again, dont worry bout pedals and fx, the producer will sort that out. Last time i recorded i went direct with headphones.. I could barely hear myself, but it sounded great in the control room.
 
You've already got some very good advice above. Assuming that the session will use a click track (not every session does) then I recommend the following:
1. Practice your parts before hand to a click. If possible discuss the tempo/metronome markings for each song with the drummer, other musicians, producer as applicable. Get comfortable with the tempos for each song and make sure that everything you want to do lines up with the click- the verse, the chorus, the tricky transition and that 'super cool fill' you want to drop in- it all needs to be executed in time.
2. If you and the drummer are both using a click track during recording, try to set the volume of the click in your headphone mix to be slightly lower than the drums. I like it when the click 'disappears' when the snare or hi-hats hit, but the click is still audible in breaks, intros, quiet parts and etc. This helps me to play with the drummer rather than with the click. Most of the time I track with a drummer trying to get a 'live' feel and I've found this helps a bit.
Also-
3. Sometimes (but not always) I'll use in-ears instead of over-the-ear headphones to track simultaneously in the same room with a loud drummer. In ear monitors allow me to have a much lower volume while tracking and help avoid hearing loss and 'hearing fatigue' in long sessions.
4. There can be a lot of down-time in the studio. Try to use that time productively. That can mean many different things but here's a few examples: when the drums are getting mic'ed up and tested, get your headphones on an start adjusting the drum mix in your monitor mix. if there's a few moments of downtime use that time to check the tone of the amp you are using. When you know you aren't needed make yourself take a break get some silence and give your ears a break. If you have access to the control room while others are tracking use that time to listen to what is happening. Don't bother the engineer or distract them from their work but watch and listen to what they are doing and try to see their perspective on the recording process. Offer to run for lunch/ snacks/ etc. while others are working.
5. Depending on the production style of course -minimal vs. dense- Often in the studio bass is being recorded very early in the process. The extra guitar layers or keyboard parts or tasty organ or aux. percussion (shakers, tambourines, etc.) background vox, horns -all the fun things that can happen in a studio- won't be added to the track until after you've laid your parts down. Don't feel that you have to fill up every bit of the empty space. Save some room for other instruments that will be added later. Focus on making a solid foundation for what is to come.
6. As much as you can- know the melodies before hand. In addition to being tight with the drums in most situations the bass lines HAVE TO support/ work with the vocals. Know what those vocal melodies are -or at least pay attention to the vocals when you are tracking. In some sessions I've gone as far as getting scratch tracks of the lead vocalist that I listen to while recording my parts. That isn't always practical but I've been really happy when I was able to make that happen. I guess this is another way of saying 'know the tune' -not just your part but the other elements of the music as well.
Good Luck and have fun!
 
Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
If you haven't already been practicing with a metronome now is the time to start! My first real studio experience was a slap in the face. I thought I was hot stuff walking in. Two passes through the first track and it was obvious that my timing was bad. It wasn't totally terrible, but I was very loose in places I needed to be very tight. I didn't even know it since that kind of thing is generally less noticeable when playing live.
 
Getting the absolute best advice here.
I'll only add try to be supportive of the other players' tracking if you're there for it. Don't be giving out stinkeye if they flub a line and on the flipside don't go yahooing into the closest mic if they're in the zone!
Of course you'll be nervous but try to be positive and optimistic also, it'll be fun.
 
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Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
My take.
Show up early.
Be nice!(maybe bring a coffee for the guy(s) recording you)
Stay relaxed and positive throughout the day and supportive of everyone there.
Be clear about the result you want - in detail.
Stay hydrated.
Keep your set up simple( the closer you can get to just pluging into a DI and go, the better).
Know the material well enough to be able to record without the rest of the band there in case you need to.( this has happened to me)
Use earplugs under the headphones
Have a spare set of strings ready just in case - the peace of mind this brings has proven worth a lot to me even though I have never needed top use one.
Play well!
listen back to what you've done before it goes into mixing to avoid disappointment and the powers that be using takes you did not want to eb used.
 
Hello, I will get to record in a studio setting in a couple weeks, which i have not done before. Only taking one day for bass so must make best use of time. Any tips on how to best prepare; what did you bring, how did you manage pedals, amp settings etc.? Would like to hear other's experiences with recording in a studio and any advice on how to make it go smoothly.

Thanks!
Read this. The advice here is sage.

Advice for aspiring Studio Players or anyone that wants to "Go Pro"
 
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You dropped this in like it is common practice. In my 32 years of studio experience this is the first time I've ever heard anyone suggest this. I've been relying on that potentiometer thingy all this time.
I just put it there because it is a useful thing to do, rather than it being common place.
It has saved me more than just a couple of times.