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Anybody else really not care anymore?

Live performance volume is also something to be considered ... One of the bands I play in is a VERY LOUD alt rock project and even though I'm playing out of an 800 Watt Mesa head and a 6x10 rig, I have that baby pushed to it's limits.

I've found that when the volumes are WAY UP there and there's a wall of sound going on ... it's difficult if not almost impossible to discern the subtleties of the different basses I use. I agree with the previous comments about the amp being the better determining factor for tonal variations rather then the instrument.

When I am home and recording in my humble home studio, that's when I can hear all the tonal characteristics of my different basses but when I'm playing on "11" and the rest of the band is as well, all I really hear is "the bottom / the low end".

In a live setting playing at "11" you couldn't tell if I was playing a $5000 Fodera or a $500 Ibanez.
 
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I just finished playing all of my instruments (two guitars & two basses), something I hope to do every day.
It occurred to me that while I'm playing them, even though the price & quality disparity is pretty big, I don't notice a difference.

OTOH, both guitars are made by LTD & both basses are made by Ibanez, with the same neck profiles, scale length, bridge spacing, & body shape.

Add: sure the sound is different, but I'm thinking of playability
 
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I just finished playing all of my instruments (two guitars & two basses), something I hope to do every day.
It occurred to me that while I'm playing them, even though the price & quality disparity is pretty big, I don't notice a difference.

OTOH, both guitars are made by LTD & both basses are made by Ibanez, with the same neck profiles, scale length, bridge spacing, & body shape.
 
If you tend to confuse your basses with construction tools, I think I know why you're getting such a limited tonal range out of them!
analogy
[uh-nal-uh-jee]
noun, plural a·nal·o·gies.

a similarity between like features of two things, on which a comparison may be based: the analogy between the heart and a pump.
 
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Add: sure the sound is different, but I'm thinking of playability

That's a great point ....

I can't remember every post on this thread so I apologize if the topic of "playability" has come up already but (IMO) that alone could warrant having multiple basses.

Most of my basses "FEEL" very different and so even if my basses did sound alike or similar, the option of having variety in feel and playability is a nice luxury.
 
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One day to the next the exact same setup can sound entirely different to my ears. Can be something as simple as my strings being a little more "broken in" versus being new and crispy. Some instruments seem to suffer from this less than others, but some are definitely at the other end of the spectrum.

To me the instrument is a tool, but some tools work better for some jobs than others. My P5 seems to do what I need every time, so I'm sticking with it. I've "gotten to know it" and have learned how to wring certain tones out of it via different approaches and techniques. Some basses are not that "vocal".

This last weekend, I was a bit nervous going to practice for my metal band because my Rotosound 66 Nickels were getting a bit old and were losing their zing. They still sounded great for other genres but I wasn't sure that they were going to do the trick for a metal sound. Oddly enough, they took on an almost flatwound tone in the mix. They weren't supposed to do that, and I thought they might sound terrible, but instead they sounded better than I had hoped for. Now I'm thinking about flatwounds again.... Grrrr.... Thought I was over that flatwound phase....

So, day to day, enviro to enviro, you never know what you're gonna get. It's not just a job, it's an adventure!
 
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