Im starting to be specific in what I want in a bass. I don't like maple fretboards. I specifically like rosewood, I really notice the difference. Big time.
Also I like P basses and PJ basses exclusively. Not a fan of the jazz bass or the double humbucker thing. They sound cool when other people play them but not me.
When I hear bass in my head it sounds like a p bass.
Only bothers me because I look at a lot of basses and dont even want to try them much anymore purely based on minor specs. I love rics but they have maple fretboards so im not sure the 4003 is my dream bass anymore. Like wow.
As I get older (wiser? Lol), I’m getting WAY less snobby re instruments, and embracing their differences rather than looking for “the one.” While I certainly respect premium brands and builders who put out excellent, quality controlled products, and have no intention of relinquishing my few high end instruments, I have discovered the joy of finding a MIM Jaguar bass on Craigslist for $350, Ohana bass ukuleles that don’t suck for $500, nearly unused Genz Benz amps for cheap, etc.
This is probably due to the change in my focus from live playing to recording. Recording is a different animal, and it seems that the one little band of sound we’re allotted in a mix, doesn’t care one bit about how much the bass cost. Having a useful palette of sounds to work with is more important and practical, and there’s no reason to believe that if I had Roger Sadowsky build me premium versions of “every kind of bass (short, long, P, J, H, frets, none, etc)” that I’d have any better results than my current mixed bag of sonic tools.
long story short: I used to be with you, I used to care about fretboards and such to the point of exclusivity, and I had one perfect bass to rule them all for years (still have it, still love it), but now, I see the bigger picture, and the folly in assuming a mix cares about the instrument, rather than the performance and sonic output.