I've got a Peavey BAM 210 and an SVT 2 Pro, and a Peavey Pro 410 cab. Even if I hook up the BAM to the 410 and run it as 6 10s, it still doesn't sound quite as good to me as the SVT through just the 410.
Don't get me wrong - even the BAM210 by itself sounds really good and I wouldn't hesitate to use it for a gig where it is an appropriate size for the room. In fact, my band did use the BAM hooked up with an Aguilar GS410 exension cab to play a pretty good-sized outdoor gig and it rocked.
But, that Ampeg head produces The Tone that lives in my head...
Somebody on here has a signature that says something like "you can get 80% of the sound for 20% of the money...." That pretty much sums it up. Whether Ampeg is over-rated just depends on whether it's your "The Tone" and if that bit of difference in tone is worth the extra money to you. I'm 40-something, have a job that pays well, I'm single, and have no kids. The Ampeg Tube Tone was worth it to me (and I got a killer deal on the SVT).
Don't get me wrong - even the BAM210 by itself sounds really good and I wouldn't hesitate to use it for a gig where it is an appropriate size for the room. In fact, my band did use the BAM hooked up with an Aguilar GS410 exension cab to play a pretty good-sized outdoor gig and it rocked.
But, that Ampeg head produces The Tone that lives in my head...
Somebody on here has a signature that says something like "you can get 80% of the sound for 20% of the money...." That pretty much sums it up. Whether Ampeg is over-rated just depends on whether it's your "The Tone" and if that bit of difference in tone is worth the extra money to you. I'm 40-something, have a job that pays well, I'm single, and have no kids. The Ampeg Tube Tone was worth it to me (and I got a killer deal on the SVT).
