Love when you can "feel' the bass through the body. We did a gig at BB Kings nightclub in NYC in 2013 and you could feel the bass through your feet with the wood patform floor.
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Love when you can "feel' the bass through the body. We did a gig at BB Kings nightclub in NYC in 2013 and you could feel the bass through your feet with the wood patform floor.View attachment 3312687
I'd go on further: everyone will have a chip in the head, listening music, phoning, pay bills & computing with projected keyboard and mice; even looking movies inside your head, but this costs an extra ...![]()
There is no sensation I hate more than not feeling my bollocks shiver when I play my low end, and being unable to do anything about it.
^^^ This!
As both a bass player (40 years) and soundman (20+ years), I don't understand sending a "post" signal from bass amp. The tone shaping you do on a bass amp is for the cab it is powering. The cab is voiced a certain way and has limited frequency response. Decent p.a. systems can be (should be) somewhat flat from approx. 40Hz-16kHz, but often has subs up 5-15db louder than tops. That means that frequencies up to the crossover point (usually 80-100Hz) can be quite a bit louder. If you boost the low end on your amp, this translates in additional low end in an already bass heavy FOH system. See where I'm going? ---> mud!
If a bass player really wants me to use the DI out of his amp, I will try it but suggest he sends me a "pre" signal. If there is buzz, the ground lift switch rarely fixes it. In those cases, I will use a JDI and it usually takes care of the buzz. If the bass player has a great tone or uses effects, I will put a mic in front of his amp and also us a DI (which will usually go lower than the mic'd cab). Mic'ing the cab is the ONLY way to get your tone to FOH, unless you are using an amp simulator (Axe, Kemper, Helix, etc.). Then again, many use a bass amp or studio monitors (not much low end) while programming at home, which translates in way too much low end being sent to FOH. I had a similar problem and recently acquired a Fearless F112, which is pretty flat, to program my AX8. I haven't had a chance to get back at updating my settings, but I'm sure my patches will sound 100% better than they previously did.
Bottom line, IMO, the only way to get your tone to FOH is to throw a mic in front of your rig (or use modelers).
Shame you don’t know how to eq a single channel... many amps have a clean and dirty channel - you either have to take it post or mic. If you mic and the cab is using a horn or tweeters for the highs it gets more complicated- see where I’m going. Maybe throw a channel eq on the bass channel to get it sounding right through your system instead of relying on global eq?^^^ This!
As both a bass player (40 years) and soundman (20+ years), I don't understand sending a "post" signal from bass amp. The tone shaping you do on a bass amp is for the cab it is powering. The cab is voiced a certain way and has limited frequency response. Decent p.a. systems can be (should be) somewhat flat from approx. 40Hz-16kHz, but often has subs up 5-15db louder than tops. That means that frequencies up to the crossover point (usually 80-100Hz) can be quite a bit louder. If you boost the low end on your amp, this translates in additional low end in an already bass heavy FOH system. See where I'm going? ---> mud!
If a bass player really wants me to use the DI out of his amp, I will try it but suggest he sends me a "pre" signal. If there is buzz, the ground lift switch rarely fixes it. In those cases, I will use a JDI and it usually takes care of the buzz. If the bass player has a great tone or uses effects, I will put a mic in front of his amp and also us a DI (which will usually go lower than the mic'd cab). Mic'ing the cab is the ONLY way to get your tone to FOH, unless you are using an amp simulator (Axe, Kemper, Helix, etc.). Then again, many use a bass amp or studio monitors (not much low end) while programming at home, which translates in way too much low end being sent to FOH. I had a similar problem and recently acquired a Fearless F112, which is pretty flat, to program my AX8. I haven't had a chance to get back at updating my settings, but I'm sure my patches will sound 100% better than they previously did.
Bottom line, IMO, the only way to get your tone to FOH is to throw a mic in front of your rig (or use modelers).
We mix ourself from the stage, with sound check from audience position. Then you get both worlds...In every situation I have played in the last several years FOH has controlled the bass, volume and tone. My stage amp, when I have occasion to use one, serves as my personal monitor. This is not only on big stages but also in small clubs when band leader provides sound and mix. FOH always wants the stage volume down so they can control the mix. And yet, it seems almost every day, a new bass amp is out.
Thoughts?
If folks can't control their volume, they will be obsolete for them. This volume thing has gone way out of hand. Amp builders aren't helping either. Who needs 1000w-2000w?! Seriously!! FOH companies are just doing damage control. This is what separates the big boys from the little boys. No reason to be loud just to be loud.
Someone’s invented a version that sits on the ground so that you don’t have to carry it around on your back
View attachment 3312769
Love when you can "feel' the bass through the body. We did a gig at BB Kings nightclub in NYC in 2013 and you could feel the bass through your feet with the wood platform floor.View attachment 3312687
Bass amps are not simply about convenience and/or practicality (or the lack thereof) for many of us.
I simply enjoy hearing myself through speakers. When I can, I will bring an amp. If I can get away with it, I'll bring an Ampeg SVT. The sound of that heavy beast makes me smile.
They absolutely will be less common in a decade or so. We'll probably all have wireless basses with transmitters you can't see that send a signal directly to the computer used to run sound (that is the size of a pack of gum). Every audience member will be wearing headphones (tiny earbuds) that allow them to control the volume of their live band. Take out your earbuds and all you will hear are people talking and the sound of sticks hitting electronic drums pads. Your average bar will sound like a library until you put in earbuds.
So, not yet... but it's coming.
I like to feel my jeans moving as I stand in front of my amp.Bass amps are not simply about convenience and/or practicality (or the lack thereof) for many of us.
I simply enjoy hearing myself through speakers. When I can, I will bring an amp. If I can get away with it, I'll bring an Ampeg SVT. The sound of that heavy beast makes me smile.
They absolutely will be less common in a decade or so. We'll probably all have wireless basses with transmitters you can't see that send a signal directly to the computer used to run sound (that is the size of a pack of gum). Every audience member will be wearing headphones (tiny earbuds) that allow them to control the volume of their live band. Take out your earbuds and all you will hear are people talking and the sound of sticks hitting electronic drums pads. Your average bar will sound like a library until you put in earbuds.
So, not yet... but it's coming.