I have always tried to stick to natural, black or sunburst finishes, simply because they blend in. This dates back to my days as a pickup musician doing casuals. When you're subbing, it's bad form to show up at a gig with a metalflake purple bass, if the band has a clashing colour scheme...
Aside from that, I think that worrying about looks in the sense of body or headstock shape, etc., is kind of goofy. With the exception of a tribute band where a particular model and colour of instrument might be part of the stage dressing, I doubt that anyone ever lost (or got) a gig worth having on that basis.
I got flack about this position before, because my main axe is the fancy coffee table bass in my avatar, but I honestly don't think looks are that important. I'm picky about playability and tone to the point of near-OCD, and have trouble finding instruments that I bond with. As a result, I think that looks take a back seat to finding that "it factor", sound and feel-wise.
Aside from that, I think that worrying about looks in the sense of body or headstock shape, etc., is kind of goofy. With the exception of a tribute band where a particular model and colour of instrument might be part of the stage dressing, I doubt that anyone ever lost (or got) a gig worth having on that basis.
I got flack about this position before, because my main axe is the fancy coffee table bass in my avatar, but I honestly don't think looks are that important. I'm picky about playability and tone to the point of near-OCD, and have trouble finding instruments that I bond with. As a result, I think that looks take a back seat to finding that "it factor", sound and feel-wise.
