• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

are flatwounds too mellow for rock?

I think Mr. Entwistle, Mr. Squire, Mr. Lee and countless others would disagree. I'm not a soloist by any means but sitting in the background playing rubber bands is definitely not for me.

Actually most of the "sitting in the background" bassists (i.e. mainstream rock, mid-80's to now) use rounds. Chris Squire in fact used flats for a long time; he didn't start using rounds until the recording of "Fragile"
 
He said in an interview once he just didn't bother paying the extra price to order a set from Rotosound. Seeing the Who play live that year changed his mind I guess. Kind of strange that switching to round wounds was the last piece of his signature sound to emerge (he used a Ric, .47 tone capacitor, and a pick when he still used flats:hmm: ).
 
Well, you have to have some sympathy for some of these guys. I mean, you've been making out pretty well playing bass, and then you, like, discover your inner banjo player, but what are you going to do? Not much money in the banjo.
 
Steve Harris? From what I've read elsewhere on the forum I understand he uses Rotosound flats, which I've found to be pretty bright and clanky...a good compromise between "bassy" and "twangy" if you don't mind their bridge cable tension.
 
Steve Harris? From what I've read elsewhere on the forum I understand he uses Rotosound flats, which I've found to be pretty bright and clanky...a good compromise between "bassy" and "twangy" if you don't mind their bridge cable tension.
Yeah, he uses some sort of flats. He'd be SOOO epic with rounds!!!:)
 
Heres the thing with flats. They are a sound. Rounds are a sound. Are they your sound? Thats for you to decide in the context of your playing and the sound of the group you're playing in.

When you say "rock" it can mean a million different sounds. People keep referencing players who used to play flats in their early days. I think its a bit ridiculous to pretend that all rock in 2013 requires nothing different than what Squire or Entwistle did in their early days. Its also completely possible that your brand of rock doesn't require anything more than what they did in their early days.
 
Steve Harris? From what I've read elsewhere on the forum I understand he uses Rotosound flats, which I've found to be pretty bright and clanky...a good compromise between "bassy" and "twangy" if you don't mind their bridge cable tension.

[Bringing this thread back to life like a set of freshly boiled strings :)]
It's my understanding that Mr. Harris also changes his strings for every gig. My experience with flats inform me that a fresh set can sound bright after being restrung but then sound very dull the next day.