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are You a passivist?

It
passive these days ... but have a little MXR M81 pedal if things need spiced up a bit ... !
I have the same pedal plus a boss graphic eq.
Passive, P-Bass at that. I will say that every time I play a Stingray at guitar center I enjoy the heck out of how it sounds. Not sure it would be anything I'd need for a band, but I like the solo sound.
A stingray would be my first choice for an active if i had the $. I am considering one if those new Marcus Sires. Been gasing for a maple board with blocks /binding
And preamp with a passive tone
Control. Maybe make it my first 5 string.
 
At my main gig I am not the only bassist, nor am I the best. But the sound techs all agree that my bass is the easiest to get into the mix and achieve the massive warm tone their looking for. I am also the only one playing a passive bass. When I began adding basses to my collection I played a few active basses, but couldn't (easily) dial in the tone I was looking for.

So all my basses are single split coil passives. But that is what works for me. I've heard plenty of active Jazz basses and Music Mans that also sound great to my ears. But I can't seem to get what I want out of them. And those are the basses my particular sound techs have struggled with.

YMMV
 
This whole active vs. passive thing looks like the old "pedalboard vs. straight-to-amp" discussion, or the well known "pics vs. fingers". The funny thing is that it always seems to end up in a "natural vs. artificial" argument; almost like that old topic of what's nature and what's culture.

All I'm going to say is that the bunch of things we're talking about are human made, and therefore artificial. So the differences are basically in the way we all use them, but there is no such thing as a so called "more natural, less artificial" way.

As an example, let's say that hitting a string with your fingers is more "natural" than doing it with a pick, because your fingers are in direct contact with the strings. Well, go and tell that to a guy with a violin or a cello. This guy is using a bow to play, right? But that guy doesn't need amps, nor electricity to play his instrument; so, is that way more natural? It seems to. But, wait, he's using a bow and not his own fingers! And the thing can go further and further, but you get the idea.

Another thing yet: simplicity vs. complexity. But this can be tricky too, because it *seems* that passive is less complicated due to the less variables involved (less switches and buttons and whatnot), but if that way is not letting you to get your sound, then you have to mess a little more with your amp or an effect, etc., wich starts to being not so simple then. In the other hand, if the active electronics in your bass lets you achieve the sound you're looking for, it seems to me that you've also gained simplicity, since it took you less time and knob adjustments.

I think this topics may need to be seen as a pragmatic issue, and not a place to make statements of principles.
 
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the actives - L2000, mij jaguar, sr800
the passives - mij jazz, bullet bass, sb-2
not sure it makes a whole hell of a lot of difference, none of my basses i own or the band owns are particularly mid cutty, sizzly, or whatever, they always just sound like me playing fingerstyle with settled down nickel rounds
 
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I like passive bass guitars and a cord. It's the all natural religious thing, y'know.

Actually, I wanted an active bass and got an Epiphone Thunderbird Pro. It may not be the best example of an active bass, so I'll concede that point. I liked the bass except for the frets and the preamp, so it's now a passive bass with no frets. A fretless Thunderbird is kind of unnatural, too, so pick your poison. Plus, I have never found much opportunity to use pedals or other tone shaping stuff, so I have got around to not bothering. Some people, my brother for instance, get a lot of mileage out of that kind of thing. I don't. It might be like having brown hair. It just is.
 
I have to say that it does strike me as a bit odd when people say that passive is the "true sound" of the bass. On the one hand, electric basses are not acoustic instruments. The vibration of strings being picked up by magnets and transformed into electrical signals by coils of wire and then sent through a preamp and into a speaker cabinet where they are translated into movements of a voice coil connected to a diaphragm that pushes air to create sound waves is not really an organic or "natural" process in any way.

But beyond that, a passive bass sends out a high impedance signal which is attenuated by the capacitance of cables and any loads it encounters. It seems to me that the "true" voice of an electric instrument would be more revealed by having an impedance buffer in the chain. Then you're getting the actual signal produced, without degradation. I think what people are really getting at is that they like the sound created by the traditional signal chain. Nothing wrong with that.

I've had a LOT of different setups over the years. And to me there's more than just passive or active.

There's a passive pickup wired straight to the jack
There's passive pickups with a traditional passive harness
There's passive pickups with a buffer circuit and no EQ
There's passive pickups with a buffer circuit and 2, 3 or 4 band EQ (traditional on board preamp)
There's active pickups with no on board EQ (EMG and others)
There's active pickups with on board EQ (MTD Bartolinis I believe, EMG pickups with a 2, 3 or 4 band EQ)
and because it's so different I'd also include active or passive pickups with a filter based preamp (Wal, Alembic or ACG)

All of those are magnetic pickups. I'd say piezo pickups (either passive or buffered/active) present a completely different option.

To me they all have their advantages and weaknesses.
 
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I was an active guy back in the day then realized I was confusing "active" for "high output" which isnt necessarily the case.I remember the first time I picked up a geddy lee jazz and the passive pickups in it were louder then the EMGs I was using at the time.Over time I've found that a high out put passive pickup works best for my playing style
 
I was an EMG fanatic for over 20 years. Not much for onboard EQ, but I loved the clarity and snap of my 5-strings on 18V. About the only passive that really turned my crank, was the AVRI '62 Precision. Even then, I thought of a passive 4-banger as something of a one-trick pony.

Then I got into Dingwalls, with their bright, open sound and 4-way rotary selector.

I found that passive mode on a Dinger gave me everything I wanted from an active bass, without the hassle of batteries. Lots of tonal range, simple, nothing to screw up.

So finally, I'm back to two passive basses- my Dingwall ABZ-5, and a Squier VMP5 loaded with a Fender pickup.
 
i don't have a battery on my bass(es) because my mind plays tricks on me. i start to hear things that may or may not be there, hearing the battery dying it's slow, inevitable death. to go active, i would need a bass that is powered externally, like a line 6 or alembic.

this is a problem for me using pedals as well, but there are lots more externally powered pedals than basses available.

silly ol' brain!
 
Over the span of about ten years, I didn't like any of the active basses I owned, and sold them. I became dedicated to passive Fenders and G&L's, and didn't seriously consider anything active. But then I wanted a great playing fiver for a project, and decided to roll the dice on a G&L M-2500 without trying one -- and I freakin' love it. I wish it had a passive option, but the native tone is just outstanding IMO, and the on board EQ was very useful.

So, I generally prefer passive, but my M-2500 has led me to understand the appeal of a great active bass.
 
I tried active basses for several years but now mainly play passive. I even converted my MIA Jazz Deluxe to a strictly passive set up.
This... I've gone from active Sadowskys and Nordys to an old passive P and couldn't be happier with my tone.
At one point my " dream bass"
Would have been a Sadowsky but now its a vintage Fender.
Tonality aside im rough on my Bass bodys and nothing looks better than a beat up Fender. Id be upset if i scratched a boutique bass.
 
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