I like my Rotosound 66’s but have enjoyed plenty of different strings. Flat and round. Stainless and nickel.
I threw some DR Hi-Beams on a vintage PJ Ibanez Roadstar II that I’d picked up to clean and restore. Thought I’d make it into a hot passive 1980’s slap machine and work on that technique for fun.
They had a great sound. Real zing and depth. But I’m just the wrong horse for that course. I pluck hard, play loose, with all kinds of muting and percussive things happening in my fingerstyle. This did not mesh well with the stiff hex core string.
It’s worth the $25 to try something new and learn a bit more about your playing and what works and doesn’t work for you.
Flexibility and feel seem more important to me than tone — my hands are going to pull my basic tone out of lots of different strings, but my expression and groove matter more than tone to me.
I threw some DR Hi-Beams on a vintage PJ Ibanez Roadstar II that I’d picked up to clean and restore. Thought I’d make it into a hot passive 1980’s slap machine and work on that technique for fun.
They had a great sound. Real zing and depth. But I’m just the wrong horse for that course. I pluck hard, play loose, with all kinds of muting and percussive things happening in my fingerstyle. This did not mesh well with the stiff hex core string.
It’s worth the $25 to try something new and learn a bit more about your playing and what works and doesn’t work for you.
Flexibility and feel seem more important to me than tone — my hands are going to pull my basic tone out of lots of different strings, but my expression and groove matter more than tone to me.