How is it temporary? Do you reasonably expect the grains of sand and paper backing to deteriorate? How would it do so and where would it go? If you have audio examples of a shimmed neck vs a non-shimmed neck on the same instrument to demonstrate the sonic deficiencies of such a compromised system, please share; else please cease spreading pseudo-science propaganda.
Pivoting the neck at the neck pocket pivots the neck as a whole. Dumbed down it is not, let alone "incredibly", sir. Calculations performed assuming the truss rod has been adjusted to obtain a straight neck - or slight relief, as you may prefer - prior to shimming; which you would not alter when adjusting action. Therefore neck relief is not a variable. String tension would remain the same at any angle at the same scale length. Therefore, also not a variable. Place the body of the instrument on a flat surface; your triangle exists from the witness point on the nut to the witness point on the saddle (hypotenus), from the witness point on the nut running parallel to the flat surface the body is resting to a 90 degree angle directly below the witness point on the saddle (adjacent), and from the aforementioned point to the witness point on the saddle (opposite).
I'm not trying to sound like a dick, but I can't idly watch the math and physics of such a simple system fall victim to false pretense and internet lore in a forum fostering technical knowledge.
That being said, if it sounds good and feels good it is good. I don't care how you instigate sound, but congrats on the mere act of doing so. Cheers to all and I hope you spend more time shaking walls than surfing forums.