• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Baer Amplification Megathread!

My awesome wife let me have some time away from the kids to goof off for a little bit today, so I recorded some video of me playing my Fender CS '64 NOS through the Puma 900 and my ML212.

Obviously, it's a pretty crappy cell phone recording (I need to get me one of those fancy Zoom things!), but... I still think the sound on the vid is a decent representation of the punchy "thump and grind" (as I like to call it) that I can get from my ML212... even at the lower volume I used while recording.



As far as the video goes... I just finally started dedicating some time to using my Boomerang looper... and I'm kind of stuck in pentatonic land as a player (any suggestions to get out would be great)... but I was playing in C here to get a little practice playing outside of the keys I'm used to.

Anyway, I hope you guys enjoy it.

:)
 
My awesome wife let me have some time away from the kids to goof off for a little bit today, so I recorded some video of me playing my Fender CS '64 NOS through the Puma 900 and my ML212.

Obviously, it's a pretty crappy cell phone recording (I need to get me one of those fancy Zoom things!), but... I still think the sound on the vid is a decent representation of the punchy "thump and grind" (as I like to call it) that I can get from my ML212... even at the lower volume I used while recording.



As far as the video goes... I just finally started dedicating some time to using my Boomerang looper... and I'm kind of stuck in pentatonic land as a player (any suggestions to get out would be great)... but I was playing in C here to get a little practice playing outside of the keys I'm used to.

Anyway, I hope you guys enjoy it.

:)


That was BAD A** man! Loved it! Really well done. Nice groove and very fluid. Great tone too.
 
Obviously, it's a pretty crappy cell phone recording (I need to get me one of those fancy Zoom things!), but... I still think the sound on the vid is a decent representation of the punchy "thump and grind" (as I like to call it) that I can get from my ML212... even at the lower volume I used while recording.



:)


I don't see nothing wrong with a little thump and grind.
Great playing Addison.

I have recently acquired two ml112's and much prefer the tone and weight of these compared to others. I can't wait to use the full 2 1x12 stack this weekend. Amazing work Roger.

-Chad
 
I keep looking at that car, but diesel typically cost more than premium gasoline around these parts; diesel is >$4/gallon right now.

Its a bit more here too in CO (like 25-50 cents/gallon) but the mileage and fun of driving the diesel makes up for it. Living in a state with mountains is where you really learn to appreciate the torque of a diesel - these cars love climbing hills! Also, I really had a hard time finding a vehicle with the classic station wagon configuration - great for bass players!
 
Thanks for the props - easier to spend time 'shedding when the tunes are so fun to play. If only I took it out a few bpm slower...

As for Kimmel, I'm going to have to go over my contract



Hilarious! Love the Marx Brothers... One of my favorite Chico lines... I believe it was from Duck Soup..

Groucho: When you were born?

Chico: I dunno.. I was just a little baby

Night at the Opera was probably my favorite. Hard to choose, love them all. There was one rare one they hardly show on tv called "The Big Store". Classic. What a talented bunch of guys.
 
ML112 remains my first-call cab no matter which bass is out of the bag. From last night:

Rob Allen - [Invalid or Expired Link Removed]
Fodera - [Invalid or Expired Link Removed]

Sounds great Todd! Definitely one of the most musical jazz Cabs I've ever heard.

I take a lot of solo's in my Duo project where the sound landscape is very open and my sound is quite exposed. So I get to hear the tone of the bass and cab in great detail. It shines in these venue's.
 
What I like is no hint of low-mid wool and incredibly articulate mids and upper mids without any gank. That is actually a somewhat busy mix - keys and guitar are both comping a lot of the time. The bass is never fighting that sonically, nor is it working against the kick.
 
What I like is no hint of low-mid wool and incredibly articulate mids and upper mids without any gank. That is actually a somewhat busy mix - keys and guitar are both comping a lot of the time. The bass is never fighting that sonically, nor is it working against the kick.

Man, thats it. There is ZERO upper-mid Gank the way some cabs exhibit. Yeah. I get it. Do you use the second ML112 much as a full stack? I keep thinking it would be great. I simply balk at the physical space the cabs would take in my vehicle since I also schlep some PA Gear, lights, guitar gear to gigs. many nights, I am a moving-man first, musician second. ya know? sigh. :rollno:
 
For the jazz gigs I only use one cab, and never have FOH. I use the second cab when I gig with louder bands and sometimes for outdoor gigs (though a single cab does surprisingly well). It does make a difference for instance when I play with the Steely Dan tribute band. I need to cut a wider path with the bass there and make sure I'm driving the band. The second cab give about 4x the armadillos - I think it is a power function rather than linear. I did run the Baer/Berg stack at the last gig but I will likely run the Baer pair at the next one. I keep one of the ML112s in the car all the time. Not sure I'm going to keep the one CN112 I still have as it becomes a second haul and the last time I wanted to run really small I took a QSC K8 and that did fairly well (jam with acoustic guitar).