Who gets to decide what is "better"? Sure, I prefer Terry Kath era Chicago for the most part. But they sold a ZILLION more albums in the late 70s into tue 80s. So, the general public must have preferred the pop Peter version..... by far.
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I'd say the who are more of a band that "refined" their sound instead of really changing it outside of adding some elements from time to time. The best way I'd describe The Who is having a studio sound that gradually caught up with what they were already doing live. There were attempts to go in a direction that was more focused the other way around with backing tracks that had studio overdubs/synthesizer work, but that did not end up well due to technological limitations. I'd agree with you on the late 70s-80s output, that was a result of Pete Townshend writing different songs that were more accommodating to Kenny Jones's style of drumming/closer to his own original vision in demos. The personnel "change" did really affect the Who's sound, good or bad depends on the singles/occasional album cuts I go back to.The Who.
Listen to the early albums, and they’re the epitome of the 60s British sound. Listen to the albums produced in the early 70s, and they are the epitome of Classic Rock. Listen to Who Are You, and you hear an album that bridges the 70s into the 80s - it’s the musical equivalent of when you look at a photo of someone in the early 80s or late 70s, and you’re not quite sure which decade they belong in, but you’re still amazed at how skinny everyone used to be, and wish you could find a t-shirt that looked like that.
I agree about the Beatles.The Beatles are the only band that comes to mind, although I’d say the music got more interesting than necessarily better.
On a somewhat related note, Jethro Tull (my favorite band) dramatically changed their sound for the worse, to me subjectively.
I think it’ll be a short list then if that’s the level of change you’re thinking of.
I always thought there were two kinds of bands: first being those that are on a journey to perfect what they’re doing (AC/DC would be a great example) and those that are willing to change it up and experiment with different sounds (or set/follow trends)...U2 would be a prime example. There’s a ton more in both categories that have done this to different degrees.
I’m having a hard time coming up with just one band, that has some modicum of name recognition, having completely switched gears and still remained relatively popular.
Maybe my ears aren’t tuned very well for the genre, but aside from “In Sounds from Way Out”, the Beasties were still pretty much rap/hip hop until the end....to me...unless you’re counting their pre-fame punk stuff. Even the outlier of Paul’s Boutique and the sampling used on that was still put into a rap/hip-hop context. Experimental for sure, but not a genre jump.
Even a “crossover” artist like Darius Rucker doesn’t qualify....still guitar-driven music, despite going solo and then going country.
So, you’re down with this, then?Well, "better" is a matter of opinion. I will say this. I absolutely respect bands that kept up with the times and were able to crank out hits over decades. Yes and Rush are two examples. But many here hate their 80s stuff. They remained relevant. And, to me, their sound/music was just as good.
So much for “for the better” lolAerosmith - completely reinvented themselves in the 90s as a power ballad machine
They should have hung it up after Quadrophenia, it would have been a fitting bookend, a ten year arc, considering the lookback at their origins and sad nostalgia embedded in the lyrical content/storyline. They had nothing new to offer after that, and Keith was already starting to go down the tubes at that point.I'd say the who are more of a band that "refined" their sound instead of really changing it outside of adding some elements from time to time. The best way I'd describe The Who is having a studio sound that gradually caught up with what they were already doing live. There were attempts to go in a direction that was more focused the other way around with backing tracks that had studio overdubs/synthesizer work, but that did not end up well due to technological limitations. I'd agree with you on the late 70s-80s output, that was a result of Pete Townshend writing different songs that were more accommodating to Kenny Jones's style of drumming/closer to his own original vision in demos. The personnel "change" did really affect the Who's sound, good or bad depends on the singles/occasional album cuts I go back to.