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My favorite pedal for octave up is the Line 6 M5. I feel that it's more natural sounding and it tracks just a little bit better than the EHX POG or Pitchfork. Plus, you get a bunch more effects in a very cost-effective box.
Why do I always forget my little M5?Disagree with the poor tracking bit. These may not get you a pronounced octave up effect lower on the neck, but do highlight (generate?) higher overtones and sound awesome gnarly. Some don't even really rob low end.Yeah, but it is still ring-moddy, dirty, and will track poorly (and only high up on the neck). It is the same thing as the Fuzzhugger Upper. These are NOT clean or natural sounding octave ups at all, nor do they work well (or at all in many cases) on bass.
Disagree with the poor tracking bit. These may not get you a pronounced octave up effect lower on the neck, but do highlight (generate?) higher overtones and sound awesome gnarly. Some don't even really rob low end.
I've read the posts about octave pedals, but am not sure my particular needs were discussed.
I've got an older Fender Jazz bass (passive electronics) and I'm more interested in playing the fundamental on my bass and getting an octave above to sound. I don't know if my GK MBS-III could handle the octave-below tones, and don't think that's the sound I'd be looking for in the belly dance band I play with (it's tough work but someone has to do it).
I'm looking for a natural sound (not fuzzed, saw-toothed or otherwise manipulated), as natural as the J-bass sounds, so I think I want an analog pedal not a digital one, though offhand I did not see a discussion of the sonic differences between the two.
So, J-bass, passive electronics, octave above, GK MBS-III, natural sound.
Any help would be much appreciated.
Best regards to all my bass brothers & sisters,
BA
I've read the posts about octave pedals, but am not sure my particular needs were discussed.
I've got an older Fender Jazz bass (passive electronics) and I'm more interested in playing the fundamental on my bass and getting an octave above to sound. I don't know if my GK MBS-III could handle the octave-below tones, and don't think that's the sound I'd be looking for in the belly dance band I play with (it's tough work but someone has to do it).
I'm looking for a natural sound (not fuzzed, saw-toothed or otherwise manipulated), as natural as the J-bass sounds, so I think I want an analog pedal not a digital one, though offhand I did not see a discussion of the sonic differences between the two.
So, J-bass, passive electronics, octave above, GK MBS-III, natural sound.
Any help would be much appreciated.
Best regards to all my bass brothers & sisters,
BA
I've read the posts about octave pedals, but am not sure my particular needs were discussed.
I've got an older Fender Jazz bass (passive electronics) and I'm more interested in playing the fundamental on my bass and getting an octave above to sound. I don't know if my GK MBS-III could handle the octave-below tones, and don't think that's the sound I'd be looking for in the belly dance band I play with (it's tough work but someone has to do it).
I'm looking for a natural sound (not fuzzed, saw-toothed or otherwise manipulated), as natural as the J-bass sounds, so I think I want an analog pedal not a digital one, though offhand I did not see a discussion of the sonic differences between the two.
So, J-bass, passive electronics, octave above, GK MBS-III, natural sound.
Any help would be much appreciated.
Best regards to all my bass brothers & sisters,
BA
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Why do I always forget my little M5?
Thanks for the reminder about this great versatile unit.
I really liked my M5, but it has intermittent issues that have made it so unreliable I finally just poopie canned it.......Too bad, cause the sounds were great, the workmanship, not so much.......
(pssst.... the OP wanted octave up, not down.)Octave Divider 2.0 or IE Subterranea or COG octavers from dedicated bass guitar current production pedals.
The king is same Akai SB1, nothing comes close and it is not just Muse thing.