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Basses with diagonal offset frets

thanks this is the one i was looking for

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I've always wondered about those fanned frets......

I know this may sound a little ignorant - but i've never even SEEN a fan-fretted bass in real life;
Do any of those basses have slightly-off intonation?
Is tuning ever an issue?
I only ask these questions cos the distances between the bridge and the nut seems so varied compared to a standard bass.
 
The intonation of frets is based on their ratio relationship to each other and to the nut and the bridge. It's all proportional, not fixed lengths. So, within certain practicality/tonality limitations, it doesn't matter how long or short the distance from the nut to the bridge is, as long as all of the frets are positioned in the correct ratio relationships.
 
smo said:
I've always wondered about those fanned frets......

I know this may sound a little ignorant - but i've never even SEEN a fan-fretted bass in real life;
Do any of those basses have slightly-off intonation?
Is tuning ever an issue?
I only ask these questions cos the distances between the bridge and the nut seems so varied compared to a standard bass.


Tuning is NOT an issue. In fact, my Dingwall stays in tune for weeks and weeks of regular and heavy playing.

There are also no intonation problems. Sheldon's basses are even up and down the neck, and chords sound great on them.

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I'd love to try a fanned-fret bass out. I've seen so many of them around on the boards, but know I'll never get to meet one in person way up here in the UP of Michigan. Also, I'd be afraid it would ruin playing regular basses, just like playing 6 string wrecked the 4 for me.
 
I have a dingwall--the fanned fret thing really works. It's all about string tension--the lower strings are longer, which means they get tned to higher tension, which makes them "speak" better and which makes the feel, from string to string, really similar. It really works, and they aren't hard to get used to at all

here's mine

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BurningSkies said:
Tuning is NOT an issue. In fact, my Dingwall stays in tune for weeks and weeks of regular and heavy playing.

There are also no intonation problems. Sheldon's basses are even up and down the neck, and chords sound great on them.

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When I tune my ABII-5 w/a Perterson the bars actually stop moving when it's in tune. On my 34" the bars never seem to completely stop moving.