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Basses you should have never sold...???

Alright... I was addicted to Warmoth and All-Parts basses and building for some time. Photos of them here.. ALL GONE! Only photos I have are from playing live. The fretless played like butter and is the one i really miss...parts finds both local c-list and ebay, early All-Parts ebony fretboard neck (local score), nordstrands, thomastiks, ultra-low action. All had Aguilar OBP-3 preamps with 18v.. good stuff!


-Harry in San Diego

 
I'm not one for regrets and have never looked back on any gear sale. If I had to pick a 'should never have sold it' bass I suppose it would be a late '90s Roscoe LG3000 that I owned for 7 or so years. Great sounding/playing bass and a cool story to boot.

I first became aware of Roscoe basses in the late' 90s during a visit to Bass Northwest in Seattle, WA. I played several of them and one in particular really stood out as exceptional - a LG3000 w/ Spanish cedar body, carved flame maple top, Bartolini 'soapbars' and NTMB 18v preamp, and Birdseye maple fretboard. I wanted so badly to walk out with that bass but I just didn't have the money. On my next visit it was gone.

Flash forward 3 years - I find a LG3000 on eBay for $1150 that looks very much like the bass I wanted to buy a few years back. I contacted the seller for some further details about the bass. Turns out he had purchased the bass 3 years back from Bass Northwest while on business in Seattle, with the intention of learning to play (better? didn't quite get if he knew how to play at all). It went home and into the closet (in its factory case) and, with a heavy business travel schedule, he never got around to playing it. This was that same bass in the same (new) condition. It even had the same set of strings that were on it when I last played it 3 years prior. I purchased it of course and when it arrived it was everything I'd remembered it being - visually stunning, amazing playability, and nearly impossible to make it sound bad! Better still - for my 3 year wait I picked it up at a much better price!

But..... time moves on and things change. I eventually sold it to fund a USACG / Hipshot / Nordstrand build that has turned out to be the best sounding/playing P-Bass I've ever played. Perhaps the best bass I've ever played, period. (*Dinky-Jazz style body, Nordstrand Dual Coil in the bridge position, Nordstrand NP4 P-Bass pickup, Bartolini NTMB 18v preamp, active/passive switch, 250Hz/800Hz mid frequency select switch, series/split/parallel switch for Dual Coil bridge pickup, oil finished select medium lightweight alder body with beautiful grain, oil finished flame maple / flame maple neck, parchment 3-ply pickguard, black hardware & control plate, side mounted Jack, Hipshot type B aluminum bridge, Hipshot Ultralight tuners, Hipshot Bass Xtender on E string tuner, EBMM strap locks).

What Roscoe? :D
 
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Should've never sold my JV Precision. Sold it, and through trades got a similar bass back. Why sell it in the first place then, would you say. I had the illusion I didn't need a Precision.
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This was one of Jon Hills first basses ever built. I had it for about six months. The guy who sold it to me (original owner and a friend of mine) kept calling saying he needed to buy it back and said he would pay me 100.00 more then I paid for it. I sold it back to him. He traded it for a drum set.
 

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I'm not one for regrets and have never looked back on any gear sale. If I had to pick a 'should never have sold it' bass I suppose it would be a late '90s Roscoe LG3000 that I owned for 7 or so years. Great sounding/playing bass and a cool story to boot.

I first became aware of Roscoe basses in the late' 90s during a visit to Bass Northwest in Seattle, WA. I played several of them and one in particular really stood out as exceptional - a LG3000 w/ Spanish cedar body, carved flame maple top, Bartolini 'soapbars' and NTMB 18v preamp, and Birdseye maple fretboard. I wanted so badly to walk out with that bass but I just didn't have the money. On my next visit it was gone.

Flash forward 3 years - I find a LG3000 on eBay for $1150 that looks very much like the bass I wanted to buy a few years back. I contacted the seller for some further details about the bass. Turns out he had purchased the bass 3 years back from Bass Northwest while on business in Seattle, with the intention of learning to play (better? didn't quite get if he knew how to play at all). It went home and into the closet (in its factory case) and, with a heavy business travel schedule, he never got around to playing it. This was that same bass in the same (new) condition. It even had the same set of strings that were on it when I last played it 3 years prior. I purchased it of course and when it arrived it was everything I'd remembered it being - visually stunning, amazing playability, and nearly impossible to make it sound bad! Better still - for my 3 year wait I picked it up at a much better price!

But..... time moves on and things change. I eventually sold it to fund a USACG / Hipshot / Nordstrand build that has turned out to be the best sounding/playing P-Bass I've ever played. Perhaps the best bass I've ever played, period. (*Dinky-Jazz style body, Nordstrand Dual Coil in the bridge position, Nordstrand NP4 P-Bass pickup, Bartolini NTMB 18v preamp, active/passive switch, 250Hz/800Hz mid frequency select switch, series/split/parallel switch for Dual Coil bridge pickup, oil finished select medium lightweight alder body with beautiful grain, oil finished flame maple / flame maple neck, parchment 3-ply pickguard, black hardware & control plate, side mounted Jack, Hipshot type B aluminum bridge, Hipshot Ultralight tuners, Hipshot Bass Xtender on E string tuner, EBMM strap locks).

What Roscoe? :D
Great story! Agreed that the USACG, Warmoth, Allparts builds can be excellent players! In my initial post above, that is a Dinky PJ Warmoth Mahogany bass. killer instrument.
 
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Just want to say that I grew up around a bunch of older guys with stories of "should have never sold that guitar" so I never sold any of my basses. Even when I really needed some cash. And here I am with all three of my basses and I'm glad I still have then.

Just a thank you to you all those out there for telling your stories of woe.
 
I had (and sold) a '75 jazz bass. It was an OK bass at best, but I wish I would have hung on to it "just because".

Biggest regret was selling the '88 Stingray 5 that I had. Fairly light for an SR5 (9.1 lbs) and a good players bass, sold it because I thought I was poised to make a paradigm shift to a US-made Lakland. That may very well happen yet, but it's taken longer than I originally thought.
 
1992 Alvarez Dana Offset. Fully active, slim neck, and it was the funkiest dark metallic purple id ever seen. I traded it to a set of wheels for my 1979 monte Carlo :( I was 18 and had only my ride on my mind at the time. If I couk find another alvarez like that id sell a testicle if I had to lol
 
Great story! Agreed that the USACG, Warmoth, Allparts builds can be excellent players! In my initial post above, that is a Dinky PJ Warmoth Mahogany bass. killer instrument.

Very nice builds :) The Fretless is gorgeous!

Here's a couple pics of my USACG build:
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...and here's the Roscoe it replaced:
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All those regrets...
I really regret the sale of my beatiful Aria Pro SB-900 batwing. I could have kept all the SB-1000 I've had as well, but the batwing was a tad better and more good looking, and I still have 1 SB-1000 and 2 RSB-900, which is an SB-1000 with 4-inline head...

I do also miss my Ibanez Ibanez Roadster. It had a worn in neck and fit just like a glove..

For some reason I also sometimes miss my frankenstein-jazz in worn burgundy mist with maple neck and black blocks and ivory EMG powered with 24V. It had a very distinct AND dynamic tone.
 
i should have never sold my Gibson Grabber. i always loved the design of those basses and the sound was pretty good, but it spent most of the time in its case and i didn't play it much, i only played it live twice and other than that it was my bedroom bass. i play aggressive music and with it being so old it just felt fragile and i didn't want to damage it. i sold it for more than i bought it for, i was unemployed and needed the money but still, it'd be nice to have. down the road i might try to get a g-3
 
1964 Fender Precision bass - December 1964 according to the neck stamp. I bought it in 1983 (?) for $450. It was beat up as hell, but in a beautiful way. 3-tone burst, rosewood board (pretty sure it was Brazilian). Alder body, light as a feather, killer resonant tone. Had the "transition logo": more modern, as opposed to the spaghetti logo. Big huge chunky neck, I loved it. Best of all, the nitro finish was worn off of the back of the neck: the maple had become ugly greasy grungy gray, but the feel was absolutely incredible.

I haven't played four string in over a decade but I wish I still owned this bass: first because it's a peach, second because its value is only increasing with time!

Sorry... I don't have a pic. :atoz:
 

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