heath_the_great said:
But seriously, can anyone answer my question on what made cliff so great? cos its got me scratchin my head
As you seem sincere (as opposed to engaging in mindless Cliff-bashing), I will give it a go...
I think there were/are a lot of factors. It seems easy to be objective, but actually it's harder because we (or most of us anyway) are unaware of the impact those albums had when they came out. Someone with the tablature for "Anasthesia" can probably play it relatively easy now, but Cliff thought of it and PLAYED IT over 20 years ago!!! Had there been another metal bass solo like that up until that point? Most metal bassists just did not solo period, let alone have entire pieces that featured the bass, especially in the early 80s. Billy Sheehan is the only person I can think of off the top of my head. Lemmy played a solo here and there ("Stay Clean"). Andy Fraser ("Mr. Big" from the album "Fire and Water" by Free), John Entwistle, Jack Bruce, Chris Squire, Geezer Butler, Roger Glover ("Pictures of Home" from Machine Head). They all did bass solos, but "The Fish" by Chris Squire is the only one I can think of that extensively/exclusively featured the bass (I'm thinking especially of the live version from "Yessongs"). Geezer's the only one that could really be called metal, but that's kind of the point, even these monumental bassists didn't generally record songs with only bass and drums.
So I think part of Cliff's legacy is that he was a groundbreaking metal bassist. Add in the stage presence and ENDURANCE. Metallica were more than a band, they were a phenomenon. Looking at the pieces of the puzzle separately doesn't give the whole picture, and I think that Cliff was a huge part of that band. We can point to the egos of Lars and James, but they did move the band up to San Francisco so that Cliff would stay. I have a feeling that he was an essential ingredient, even though we can't always here him clearly on the albums. I have a feeling he was LOUD in concert, and without him I bet Metallica would never have gone anywhere.
Oh yeah, Anasthesia also affirms the classical side of metal, as does his multi-tracked solo on Orion. And I'm pretty sure that's bass on the intro.
