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BC Rich Warlock bass

Does anyone know if the Warlock Bass is any good?

My father claims it couldn't possibly produce a good sound cause if it's different shape.

Can anyone shed some light on this?
The shape of a solidbody electric bass is pretty much irrelevant to how it'll sound. The pickups and/or electronics are the main contributor, with the neck and body woods adding some tonal shading.

No comment on whether the BCR is any good, as I've never played one, but I'd like one of the vintage USA models.
 
I haven't played one of the new Warlocks, but I have played a new Mockingbird and if they're similar, I wouldn't be impressed. Having owned a US model Warlock Supreme and a 80's NJ series, I can tell you I wouldn't buy one of the new ones unless it was a custom shop model.
 
I am a HUGE BC Rich nut! If you are talking about Korean (NJ, Platinum, Bronze) then there is no difference between them and the Wal-Mart brand.

However, if you are talking about an American then they are incredible. Look for an early build date (1982-1989) or a late build date (1995-2000). Those eras are the best production. Bolt-ons are nothing special but the original neck-throuughs are incredibly desired.

Oh, and the shape makes for a really comfortable play.

Mike
 
I feel like a bad ass when I play my Warmoth copy :bassist:

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^--I wouldn't like to sound like a jxxk but did you do it on purpose or did you put the strings around the tuning pegs(tuner post) wrongly?
The E and A string should normally be at the right side of the tuner post and the D-G strings at the left side.. But OK, it's not a written rule :D
 
^--I wouldn't like to sound like a jxxk but did you do it on purpose or did you put the strings around the tuning pegs(tuner post) wrongly?
The E and A string should normally be at the right side of the tuner post and the D-G strings at the left side.. But OK, it's not a written rule :D

It's not a written rule, but it does put a lot of stress on the ends of the nut. And it looks awkward.

afinalfantasy said:
They sound like crap to my eyes

:eyebrow: :D

00funk, that is a beauty. I've looked into the Warmoth Warlock bodies, but they just don't look right to me. They're not cut as crisp as the older Warlock Supreme bodies. The curve under the bridge should come to a sharp stop. Oh, don't mind all the blood. Just a little shaving accident.:D

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as long as you get one thats a platinum or higher series... you'll be all set. the bronze series basses are sh!t, which makes people think that all BCR's are sh!t. I personally think that BCR's are amazing basses.

I love my NJ beast... its the best bass i own/have played. but, if i were to re-think the body style choice i made... i'd get a mockingbird... they are the best body shape that is currently in production.
 
The shape of a solidbody electric bass is pretty much irrelevant to how it'll sound


The shape has little to do with the sound except for some reason flying V basses are not the best sounding basses , It was Gibson's worst sounding bass. I dont know of one V bass that everyone raves about it's sound?

My son had a platinum BC Rich Warlock with the double P Pups. I was surprised how well it sounded & played it was a nice bass. THe only downsides were it was pretty heavy and the widow headstock chips really easy. It was a very cool bass and a classic design in my opinion.

The other negitive is you better stick to rock or metal with it. You would get frowns in Jazz, Blues, situations.

overall a great bass for the money.
 
Thanks for the help all.

I'm relatively new to the bass guitar and am using my Dad's old (and I mean old!) Fender musicmaster bass. It doesn't play really well anymore and is starting to fall apart.
And yes I do plan on playing metal (and death metal).
 
Although the higher end Richs are nice they are, for the most part, about an image. Case in point are the current headstock designs. They chip way too easily and are just plain ugly. How I long for the old traditional and 4-inline headstocks.
 

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