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Beautiful Rigs Of Doom thread

Apr 11, 2005
127,255
125,172
Plymouth NC
Disclosures
Endorsing: Yamaha, Ampeg, Line 6, EMG
Rat fur and chrome rigs need not apply ;)

Just kidding, rat fur fans. But I must say that I set the bar incredibly high with my beautiful rig of doom:

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A 1964 Ampeg B-15N on top of a www.fliptops.net B-15 extension cab, the double baffle variety. The real B-15N was a complete and utter wreck when I bought it, but I had it completely restored by Jess Oliver, inventor of the Portaflex amps and a whole lot of other Ampeg amps. Unfortunately it was such a mess that it couldn't be restored perfectly, but it looks a million times better than the crappy black tolex and bashed in power transformer it came with. The 64 cab is loaded with a 1966 CTS Ampeg Custom, and the Fliptops cab sports an Eminence Delta 15A, which sound identical to my ears. The B-15N head only puts out 25w, and the CTS only handles about 100w, so it's limited in its doomage at the moment. But I'm also getting another extension cab made by Link Removed loaded with a Delta, and together they'lll be able to take 600w easily, so if I need the power I can use another head, truly making this a beautiful rig of doom. But don't underestimate its doom-causing capabilities as is. On its first gigs this weekend, I handled a 600-seat club with a balcony level with stage volume and still had headroom.

The rest of the signal chain goes from a P-Lyte with QP/Ultrajazz pickups, and Li'l Elvis, my Upton Hawkes upright, with Clef Revolution Solo II pickup going into each channel of an EBS Microbass II, under which sits an FMR RNC 1773 compressor, and into the amp. Wirelesses are X2 portables, and a cheapo Korg tuner comes out of the FX return of the EBS. The mic is a Heil PR 40. A Sansamp VT pedal sits in the rack unused, but I'll be using that for fly gigs when the SVT on my rider turns into an Eden/Hartke rig, and for when I get lazy and bring the Markbass combo, which I inevitably will.

So let's have fun and forget about trying to outclass each other with power and speakers and efficiency. Nobody cares about that. This thread is about what's truly important on a gig...looking good!!
 
I'd use that for a blues gig anytime....old motown R&B gig too.

I hate to point this out Jimmy.....none of your basses have enough strings. :eyebrow:
 
Awesome, two 15s are considered doomy enough for this thread;

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unfortunately it's mic'd up with an Audix D6,
What mike are you using on that rig?
not quite the PR40 you have Jimmy, which I reeeeeeeeeally want... well your amps quite nice too :p (wooo, prog formatting!)

My new Laney head has rat fur on though, and I haven't got any pictures of it either, but I'm getting a new case for it at some point cos the one I have is awful, plus it has blue LEDs all over the place which need getting rid of and some really flimsy controls. Far too nicer amp do deserve all that, and definitely not anywhere near modern sounding enough to warrant the ugly as sin blue LEDs :scowl:

"300W" Solid State wasn't cutting it at all, and my limiter kept complaining at me, so I'm now running "1500W" with the new one. Either I use alot of power or someone is lying.
 
Rat fur and chrome rigs need not apply ;)

Just kidding, rat fur fans. But I must say that I set the bar incredibly high with my beautiful rig of doom:

Invalid Link Removed Invalid Link Removed

A 1964 Ampeg B-15N on top of a www.fliptops.net B-15 extension cab, the double baffle variety. The real B-15N was a complete and utter wreck when I bought it, but I had it completely restored by Jess Oliver, inventor of the Portaflex amps and a whole lot of other Ampeg amps. Unfortunately it was such a mess that it couldn't be restored perfectly, but it looks a million times better than the crappy black tolex and bashed in power transformer it came with. The 64 cab is loaded with a 1966 CTS Ampeg Custom, and the Fliptops cab sports an Eminence Delta 15A, which sound identical to my ears. The B-15N head only puts out 25w, and the CTS only handles about 100w, so it's limited in its doomage at the moment. But I'm also getting another extension cab made by Link Removed loaded with a Delta, and together they'lll be able to take 600w easily, so if I need the power I can use another head, truly making this a beautiful rig of doom. But don't underestimate its doom-causing capabilities as is. On its first gigs this weekend, I handled a 600-seat club with a balcony level with stage volume and still had headroom.

The rest of the signal chain goes from a P-Lyte with QP/Ultrajazz pickups, and Li'l Elvis, my Upton Hawkes upright, with Clef Revolution Solo II pickup going into each channel of an EBS Microbass II, under which sits an FMR RNC 1773 compressor, and into the amp. Wirelesses are X2 portables, and a cheapo Korg tuner comes out of the FX return of the EBS. The mic is a Heil PR 40. A Sansamp VT pedal sits in the rack unused, but I'll be using that for fly gigs when the SVT on my rider turns into an Eden/Hartke rig, and for when I get lazy and bring the Markbass combo, which I inevitably will.

So let's have fun and forget about trying to outclass each other with power and speakers and efficiency. Nobody cares about that. This thread is about what's truly important on a gig...looking good!!

*&^% Jimmy! Can you say Tone Quest!!!
 
Nice rigs boys - I've posted mine before - but I think it fits here too....:)

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