I've used a Dave Hall Amps VT1-HP-bass for quite a while, but it is out of my set after I purchased an Aguilar Agro.Yes, okay, it is a bit more then just a pedal (more like a preamp but hey ...) but you can't complain about losing lows 
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After reading this I was out and about looking at some of the suggestions of my fellow TBers and I actually came across the Rat in a local used music store. HOLY CRAP!!!!!Wow, this thread is crazy....dude, good luck just filtering through all these suggestions...
After searching for a long time for a good bass distortion, I use a Pro Co Rat "Juggernaut" and it's great, why?
1. Warm "overdriven tube" distortion, not synthetic fuzz
2. Direct/Distorted signal blend
3. Independent volumes, with footswitches, for both direct and distorted signals, so I also use the pedal as a volume boost as well as a distortion
4. Built like a tank
Tried a ton of pedals, Boss, Big Muff, MXR Blowtorch....all sounded thin and synthetic compared to this one. I play jazz basses, so this pedal worked best with these specifically, it may not be the same if you're using an active bass, everything is different.
Hope this helps a bit....good luck!
It's not true bypass, and they've been making it for many years.However that's not to take away from any of the other good things you said, and I completely agree that a parallel blend is a a great tool for making distortions work with bass.
I've never seen one before.. not saying that your wrong, I've jsut never seen one until after NAMM this winter.
and the wiring diagram looks like a true bypass to me.
I've never seen one before.. not saying that your wrong, I've jsut never seen one until after NAMM this winter.
and the wiring diagram looks like a true bypass to me.
A new entry - the Source Audio Soundblox Multiwave Bass Distortion - has a really nice distorted tone without the loss of the low end. Also, has many, many types of distortion to choose from as well. Highly customizable and worth a look (or listen.)
I don't believe that any Boss pedals have ever been true bypass. However, contrary to what some people say, I think their buffered bypass is very clean, and IMHO most stories of tone suck are due to biased and selective hearing, mixed with a bit of cork-sniffing.
The LS-2 has been out for at least several years. If you look through the Pedalboards of the Stars thread, you'll see them on boards for at least the last 5 years.
So, after doing some serious research last night, i have this to say.
everyone needs to the tech 21 site and read their article about what true bypass is.
i learned a lot that i didnt' know before, including the fact that i was wrong about what i said about the ls2.
now, that out of the way. I found the wiring diagram for the LS-2 in the owners manual, which you can download from boss's website.
yes it has been around a number of years, but apparently, this years model is different (somehow) which explains why the guy at *expletive deleted* guitar center told me it was new this year. ( i hate guitar center, but unfortunately, it's a required devil sometimes.)
so, the boss pedals, (and many ibanez) use a different type of switch than the "true bypass" models, the "normal bypass" models and the "buffered bypass" models. but from the way it reads from everything I could find, they function in the same way as either a normal bypass, or a true bypass, without being either. so...yah that sucks, no idea there. (someone said that they are buffered, which if true would be what Tech21 recommends)
and for arguments sake.. IF the LS-2 WAS "true Bypass", then it would indeed bypass all the effects in the loop when in bypass mode, WHICH IS EXACTLY WHAT YOU WOULD WANT IT TO DO. and just as it does with whatever sort of bypass it actually has.
so please don't make snooty comments trying to make me sound stupid.
thanks for challenging my statement and making me research my Shithouse law.

A cool one is the Dunlop MXR Bass Blowtorch. You can blend distorted with your clean and fat tone so you retain all of your signal. I use it and it's pretty awesome!
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The Boss ODB-3 is a solid choice. If you use it in a subtle manner, with say the balance & gain setting at 8 o'clock, and EQ to taste, it adds nice upper register harmonics without getting too fuzzy. It's built like a tank and will work forever. Something to consider if you play out a lot. Some of the higher priced boutique pedals may sound better but they die easily. AFWIW I've never owned an EH pedal that didn't give up the ghost within a year. So sad.
Definate rule out of the over the top distortion
My growly would kind of like being surprised ina dark alley by big mean dog who has yet to loose his temper and attack, but yet is making itself known that soon that will happen.
Hope that helps