why did you switch to alembic/lakland if Fender was perfectly fine? I've considered laklands too![]()
He didn't say it was perfectly fine, just that he got absolutely no complaints about the bass.
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why did you switch to alembic/lakland if Fender was perfectly fine? I've considered laklands too![]()
He didn't say it was perfectly fine, just that he got absolutely no complaints about the bass.
I agree with the "sit on your wallet" advice. Take your time, try out as many nice basses as you can--one great and fun way to do this is to go to TalkBass get-togethers--and eventually you'll be able to make a decision. In that price range, you've got some fantastic choices.
I've been fortunate to be able to try out a lot of basses in that price range and just below it--US Laklands (I own three), Sadowskys (NYC and Metro), Valentis, Lulls, a couple Dingwalls, a Ritter and a Skjold. Guess what? They were all really good to superb! (One exception in that price range: The vintage Fenders have been hit or miss, try the one you want before you buy it.) There simply is no "best", there's only what's best for you in terms of looks, feel, ergonomics, tone, etc.
No problem, glad to be of assistance. I have tried several US Decades--I live 15 minutes' drive from Lakland--and they are excellent, in my opinion. (I happen to own a Skyline Decade.) They are rare, but I believe that's because they are a bit unusual in terms of their body shape and their pickups (formerly Dark Stars, now Chi-sonics). Also, they were US-only models until late 2008, so not many people have had a chance to try them in stores.Thanks, I really appreciate your help!! Have you tried any US decade model lakland basses? I am very curious about these basses, but I haven't heard much of anything on them! Are they crummy? They have been out for a bit, and I can barely find any when I search google. Sadowsky and Laklands seem to be a lot of people's fav's for the 2k-3k price range!!
My votes for Roscoe. I love the SKB that I have, and I've got a fretless SKB on order.
I had a good friend of mine tell me "If you want to be taken seriously, you need to show up with the right gear to be TAKEN seriously." It's stuck in my head now that I need to show up with an early 60's jazz to get the best gigs. Or at least catch someone's attention. I also understand that some of the best bassists have extremely ordinary basses.
Producers hate individuality from anybody other than vocalists.
bleh to fender and warwick.
No question though, studio guys love to see the Fender logo.